Preface: Of Borders and Boundaries Walter Aaron Clark
1. "Give Your Body Joy, Macarena": Aspects of U.S. Participation in
the Dance Craze of the 90s MelindaRussell
2. Music and Place in the Brazilian Popular Imagination: The
Interplay of Local and Global in the Mangue Bit Movement of Recife,
Pernambuco, Brazil PhilipA. Galinsky
3. The Tango, Astor Piazzola, and Peronism (1940s-1955) María
Susana Azzi
4. Crossing Borders: Mexican Popular Music in the United States
JohnKoegel
5. Viral Creativity: A Memetic approach to the Music of André
Abujamra and Karnak John Murphy
6. The Popularized Gaucho Image as a Source of Argentine Classical
Music, 1880-1920 Deborah Schwartz-Kates
7. A Chicano in a Cuban Band: Okan Ise and Songo in Los Angeles
javier Pacheco
8. The Bolero Romántico: From Cuban Dance to International Popular
Song Geogre Torres
9. Iron Lion Zion: Biblical References in the Lyrics of Bob Marley
David Moskowitz
10. Volcán + canto = Volcanto: Central American Popular Music in
the 1970s and 1980s T. M. Scruggs
11. Rock Chabón: The Contemporary National Rock of Argentina Pablo
Vila and Pablo Seman
12. Chica Music: The Andean Cumbia and Urban Popular Culture in
Lima, Peru Raúl Romero
13. Doing the Samba on Sunset Boulevard: Carmen Miranda and the
Hollywoodization of Latin American Music Walter AaronClark
About the Contributors
Walter Aaron Clark is an associate professor of musicology at the University of Kansas. He is the author of Albeniz: Portrait of a Romantic, Isaac Albeniz: A Guideto Research and several articles on Latin American music.
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