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Maxine Swann has been awarded Ploughshares' Cohen Award for best fiction of the year, an O. Henry Award, and a Pushcart Prize, and her work has been included in The Best American Short Stories of 1998 and 2006. Her first novel, Serious Girls, was published in 2003. Swann, who has lived in Paris and Pakistan, now lives in Buenos Aires.
Swann won a bouquet of prizes (e.g., the O. Henry Award) when she published the first chapter of this work as a short story in 1997, so expect interest in this tale of the children of hippies raising themselves in the Seventies. Copyright 2007 Reed Business Information.
This wistful, episodic second novel by Swann (Serious Girls) is made up of vignettes about four sibling "flower children" whose parents are Pennsylvania farm country back-to-the-land hippies. Swann portrays the free-floating '70s coming-of-age of these four siblings-Lu, Maeve (who narrates much of the novel), Tuck and Clyde-who delight in running freely in the countryside, but grow embarrassed by the unconventional practices of their politically active, casual-dressing parents. Their parents, Sam, a Harvard graduate, and Dee, a gardener and artist, built their own house, and though they aim to raise their children in an ideal world "in which nothing is lied about, whispered about, and nothing is ever concealed," the parents separate, and subsequent storylike chapters delineate their children's sometimes rocky confrontation with the world of TVs, junk food and schoolyard cliques. The parents' transient love interests make impressions on the children: Dee's live-in boyfriend, Bobby, avenges the shooting of the children's dogs by local hunters; later, the children set out to rid themselves of Sam's latest squeeze, a glamorous but dim-witted psychologist. Swann wisely forgoes childlike stream-of-consciousness narration in favor of lean, direct storytelling, a choice that makes this more substantial and rewarding than the vast majority of coming-of-age novels. (May) Copyright 2007 Reed Business Information.
?Writing in lucid, crystalline prose...[Swann] captures the incongruities of the 1970s counterculture as seen from the point of view of a young child, the shifting attitudes the narrator and her three siblings take toward the adult world as they slip-slide from childhood into adolescence, and the incalculable ways in which the passage of time colorizes the past.? ?"The New York Times" aWriting in lucid, crystalline prose...[Swann] captures the incongruities of the 1970s counterculture as seen from the point of view of a young child, the shifting attitudes the narrator and her three siblings take toward the adult world as they slip-slide from childhood into adolescence, and the incalculable ways in which the passage of time colorizes the past.a a"The New York Times"