Following the magisterial To the End of the Land, the universally acclaimed Israeli author brings us an incandescent fable of parental grief - slim, elemental, a powerfully distilled experience of understanding and acceptance, and of art's triumph over death.
David Grossman is the bestselling author of numerous works, which have been translated into thirty-six languages. His novel, A Horse Walks into a Bar, was awarded the International Man Booker Prize 2017. Grossman is also the recipient of the French Chevalier de l'Ordre des Arts et des Lettres and the 2010 Frankfurt Peace Prize.
Grossman raises questions about the nature of grief and mourning
and demonstrates, once again, his rare gift of storytelling, a
realm where loss is not merely an absence but a life force of its
own.
*Jewish Chronicle*
A harrowing testimony to grief… It’s a measure of Grossman’s
clarity of thought and his theatrical timing that one reaches its
end and feels, in some small way, glad to have been in his
characters’ company however grim the road they travel.
*Glasgow Sunday Herald*
A book that needed to be written.
*Observer*
On the page the book resembles a play, or a prose poem, possessing
at times the qualities of a religious or mystical text... Falling
Out of Time is short, and clearly a deeply personal book, but its
importance and impact ought not to be underestimated.
*Guardian*
The greatest Israeli writer of his generation.
*Telegraph*
At once more universal and more personal than anything he has
written before.
*Sunday Times*
Slim in dimension but as solid as sculpted rock... Around
Grossman’s region, countless parents have had to endure the
premature death of children and so enter this “land of exile”.
Although it grows from a private, incomparable ordeal, this noble
fable speaks for all of them.
*Independent*
In this book of sorrows, Grossman captures every shade of grief and
guilt. There is very little good writing about bereavement; Falling
out of Time is as true and as powerful as CS Lewis's great A Grief
Observed.
*The Times*
Strange and passionate... What grips is the emotional suspense that
Grossman articulates: that remembering and forgetting can be as bad
as each other, that finding a way to understand what happened risks
cheapening it.
*Intelligent Life*
Fusing prose and verse in the form of a drama, it's a searing
glimpse of the most intimate grief but also hints at the
possibility of redemption through the act of writing.
*Metro*
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