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Everything In This Country Must
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Reissued alongside first paperback publication of DANCER Stunning new jackets for all of the McCann backlist, which will be showcased in the promotional material 'McCann returns to Ireland with this collection, turning his measured gaze and incisive prose to the country's recent history, with devastating effect' Maggie O'Farrell 'Colum McCann's stories are brooding, meditative and lyrically controlled to that delicate point where the emotion within them intensifies with each suceeding reading and recognition - wonderfully skilled and deeply felt' Seamus Deane 'McCann once again shows why he is one of the best writers in the world. Deeply moving and powerfully written, these are likely to become classics' Big Issue 'The most powerful evocation of imprisoned consciences that I have read outside the great Russians' Glasgow Herald 'With the poise of a truly major writer, he cuts through the surface tensions to address one of the most troubling questions: What have we done to the children?This is a powerful text' Sunday Independent

About the Author

Colum McCann was born in Dublin in 1965. His fiction has won numerous international awards including the Rooney Prize, the Ireland Fund of Monaco Princess Grace Memorial Award, a Pushcart Prize, and Esquire magazine's Writer of the Year award in 2003. In 2005 he was nominated for an Oscar for Best Short Film. He was recently inducted into the Hennessy Hall of Fame in Dublin. His work has been published in twenty-six languages. He has travelled widely and is based in New York, where he lives with his wife and children.

Reviews

McCann, who distinguished himself among the impressive flood of recent Irish writers being well-published stateside with his remarkable book of stories, Fishing the Sloe-Black River, and the equally well-received Songdogs and This Side of Brightness, shows off all his talents here, although with mixed results. The two very short stories that begin the book (the title story and "Wood") are sketches, really, and though written with great spirit, are extremely slight. "Everything in the Country Must" involves an archetypal figure struggling to save a horse in a flood, and is a kind of Beckett vignette with muscle. McCann shows he has an eye for dramatic dynamics, but is so untethered in his language ("I stretched wide like love and put one foot on the rock... ") that the narrative becomes annoying in its indulgence. "Wood" fares no better. Again, it is a small event rendered with a kind of mythical grandeur: "Daddy" was "so tall he could grab onto the rim of the door in the mill and pull himself up ten times." But Daddy has a fall, and the mother and young children must drag their cut of lumber to the mill for payment. The muted heroism is so coyly underplayed as to be transparent, which hardly prepares readers for the novella that ends this slender tome. At first blush, "Hunger Strike" is another one of those tales too encumbered by the too-familiar big "Oirish" themes of history, hunger, violence, protest. But the story of 13-year-old Kevin and his mother, holed up in a caravan on the Galway coast in order to avoid the spectacle of Kevin's uncle's slow death "on the blanket" in, presumably, Long Kesh prison, is a piece of work bound for anthology heaven. With the kind of imaginative verve that marked his earlier stories, McCann takes the interior world of this teenager--sneaking smokes from his guitar-playing mother, listening to rock 'n' roll on the radio, thinking of girls and his dead father--and unpacks it with loving delicacy. Kevin in his wanderings in this place he finds "stupid" meets an old Lithuanian couple who live by the shore; they take the boy into their home, and the old man teaches Kevin how to handle a kayak. To while away the excruciating days of the uncle's hunger strike, Kevin and his mother play chess and make sport of constructing new pieces out of bread and cocoa and then putting them in the fridge--they delight in eating "the Queen." There are no pat answers here, as the Lithuanian man, long ago self-exiled from his homeland, makes gently clear. And McCann startles just enough with beauteous phrases (a stone wall "runs like a bad suture towards the sea") and lasting images (Kevin doing his homework on a stool next to his mother at the piano, as she plays for tips in a Galway pub) to keep readers amazed and near tears. "Hunger Strike" builds toward the inevitable mentoring of young Kevin by the older Lithuanian, and the teaching runs both ways. Hemingway's Old Man and the Sea, just as inevitably, will come to mind. (Mar.) Copyright 2000 Cahners Business Information.

YA-Fear, loss, and violence are as elemental as air and water in the lives of the three teenagers featured, one by one, in these short, brilliant selections. They are growing up in Northern Ireland, where everything from death to a difference of opinion can irretrievably cut families off from one another. Alliance is a constant theme: is the girl in the title story a traitor when she's thankful to the British soldiers who rescued her father's horse from a flooding river? Her mother and brother were killed in an unpunished "accident" with a British military truck. In "Wood," a boy and his mother surreptitiously fashion wooden poles to be used in a Protestant march, knowing that his father-a woodworker debilitated by a stroke-would be deeply hurt by their participation. "Hunger Strike" captures with wrenching beauty a boy's struggle to decide with whom to ally himself: with his mother, who has moved them from the north to the south in order to protect him; or with the uncle he's never met, a key figure in a much-publicized hunger strike. McCann uses simple words in simple sentences, each as clear and pure as if carved in ice. Their restraint is palpable, skillfully reflecting the uneasy restraint of the teenagers as they struggle not to choke on the daily news. It may help YAs to have a bit of a background in the history of the Troubles, for McCann never spells them out (for example, he doesn't say why hunger strikes are taking place). The stories, however, stand on their own as documents of political and personal struggle everywhere.-Emily Lloyd, Fairfax County Public Library, VA Copyright 2000 Cahners Business Information.

A not-so-well-kept literary secret, McCann (This Side of Brightness) here offers pieces that illuminate the Troubles in Northern Ireland. Copyright 1999 Cahners Business Information.

"There is no denying the discipline that has gone into "Everything in This Country Must ."--"Charles Taylor, "The New York Times Book Review" "Captures that peculiar nexus of hormones, deprivation and political imperative on a Northern Irish child coming of age." -Susan Salter Reynolds, "Los Angeles Times Book Review" "[A] stunning new book...Told in McCann's lush prose, these stories are both mesmerizing and painful." " -""Minneapolis Star-Tribune" "McCann has the knack of capturing the intensity of these strongly held views in a low-key prose that underscores their vitriol, and in a way that disturbs the reader's sensibilities." -"Richmond Times-Dispatch" "Excellent - this is a powerful and moving collection." -Roddy Doyle "Masterful. These emotionally charged, beautifully controlled tales can only enhance McCann's already considerable reputation." --"Kirkus Reviews" (starred) "These are powerful stories - gritty, memorable and ambitious. The novella goes stra

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