Barbara Taylor Bradford was born in Leeds, and by the age of twenty was an editor and columnist on Fleet Street. Her first novel, A Woman of Substance, became an enduring bestseller and was followed by fifteen others, most recently Three Weeks in Paris. Her books have sold more than sixty-one million copies worldwide in more than ninety countries and forty languages. She lives in New York City with her husband, producer Robert Bradford.
Bradford continues the saga of popular protagonist Emma Harte. Copyright 2003 Reed Business Information.
Praise for Barbara Taylor Bradford: 'The storyteller of substance.' The Times 'Few novelists are as consummate as Barbara Taylor Bradford at keeping the reader turning the page. She is one of the world's best at spinning yarns.' Guardian 'Queen of the genre.' Sunday Times
It has been nearly 25 years since Bradford made her name with the female rags-to-riches saga A Woman of Substance, the first in a trilogy of novels that concluded with 1988's To Be the Best. Gambling that there is still life to be squeezed out of the story of indomitable super-survivor Emma Harte and her descendants, Bradford returns to the chase with this present-day sequel. The novel opens in 2001 at Pennistone Royal, Emma's magnificent country estate in Yorkshire, now occupied by her granddaughter Paula's family. Paula heads the Knightsbridge store, flagship of the nationwide Harte chain, and her grown daughters, Linnet and Tessa, work there. A young American, Evan Hughes, with an uncanny Harte family resemblance, appears one day seeking a job. She's hired at once, since Linnet needs help with an upcoming fashion spectacular, a retrospective featuring Emma's couture wardrobe. Linnet's cousin Gideon, who works for the Harte newspapers, is smitten with Evan, and soon the mystery of her background is of concern, especially when it's discovered that Evan's grandmother had a close relationship with Emma. The overwhelming amount of descriptive detail clothing, interior decor, food and drink slows down the narrative, but such Victorian props as a decorative locked box, a key taped behind a photograph and long-lost diaries provide mild suspense. The saga was already losing steam with To Be the Best, and this fourth installment is further diluted. Lacking the dynamic impact of the original, it will be best appreciated by those with an irresistible desire to follow the further adventures of the Harte clan. (Jan. 6) Forecast: A substantial 25th-anniversary marketing campaign will help rope in old fans, though some may find the series has lost its luster. True stalwarts, however, will be pleased to hear that another entry is in the works. Copyright 2003 Reed Business Information.