Dreamways of the Iroquois


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Table of Contents


Introduction: Dreaming in Hawk

Part One -- Journey to the Heart of Ancient Mother
1 -- The Spirits Fall in Love
2 -- When the Ancestors Cross into the Realm of the Living
3 -- Meeting the Dream People
4 -- Living in Two Worlds
5 -- Teachings of the Heart Shaman
6 -- Tree Gate to Ancient Mother

Part Two -- The Iroquois Dream a World
7 -- Story Codes and Inner Songs
8 -- Falling Woman Creates a World
9 -- The Battle of the Twins
10 -- Hiawatha's Mirror

Part Three -- The Teachings of Island Woman
11 -- Dreaming in the Dark Times
12 -- The Making of a Woman of Power
13 -- The Dreamworld Is the Real World
14 -- Sisters of the Stones

Part Four -- Reclaiming the Ancient Dreamways
15 -- Turtle Woman Comes Looking for a Dreamer
16 -- The Shaman at the Breakfast Table
17 -- Bringing a Dream to Someone in Need of a Dream
18 -- Medicine Dreaming
19 -- Dreaming the Soul Back Home
20 -- Entertaining and Honoring the Spirits
21 -- Becoming a Poet of Consciousness

Epilogue: The Peril of Losing the Sky

Appendix I: Additional Resources Available from Author

Appendix II: Building an Active Dream Circle in Your Community


Glossary of Iroquois Words



About the Author

Robert Mossis a lifelong dream explorer and creator of Active Dreaming, an original synthesis of dreamwork and shamanic techniques for empowerment and healing. A former professor of ancient history at the Australian National University, he is a novelist, shamanic counselor, and author of Conscious Dreaming, Dreamgates, and Dreaming True. He teaches courses in Active Dreaming, creativity, and the Mystery traditions throughout the world. He lives in upstate New York.


"One of the more active players in the modern field of dreams is Robert Moss. He has been an exemplary explorer of dreamworlds and a prolific sharer of his discoveries. He dives into his dreams and accepts the invitations into other realities which they provide him. He is not so much an interpreter of dreams as an explorer; he talks less about what dreams mean and more about the dimensions of consciousness they reveal. In Dreamways of the Iroquois: Honoring the Secret Wishes of the Soul (Destiny Books), he tells us the story of his spiritual initiation by the spirits of Native Americans that occurred in his dreams, and his synchronistic daytime interaction with indigenous dreamkeepers. He shares what he has learned from these dream encounters about the soul's journey in consciousness, a story similar to Edgar Cayce's "mythistory" (to use one of Moss's terms) of the soul's creation by, separation from, and reunion with the Creator. It would be fair to say that to Moss, the important thing about dreamwork is for us to use it to remember our true spiritual nature as soul. I've adopted a similar idea in an attempt to summarize Cayce's view: the purpose of dreaming is for us to empathize with our soul, the treasure within. Ideally, dreamwork would make soul awareness, which is usually dormant except while we sleep, more a part of our waking consciousness. Moss repeatedly admonishes us that a dream is a call to action. We need to act upon the dream to honor the soul that brought it to our awareness. One of the actions he values most is to sing the dream! Imagine doing that. Attempting to sing a dream, as I can attest, does put one in touch with the dream's mood, the shadow of soul. Singing creates a spell in which the enchantment of soul expressed in that dream can be experienced. It is more an experience of energy than insight. Being in touch with soul energy may seem impractical, but with experience, one comes to realize how important it is to be able to approach the world with a non-material consciousness. Dreams are essential to bring a sense of intuitive, timeless being into a co-creative relationship with the unfolding experiences of one's lifetime. The alternative, as in Moss's horrific dream, of a modern man amnesic for soul leading a lifeless, mechanical existence, is completely impractical. Creating from the impulses of soul--whether it be an artistic or inventive work, an attempt to refashion a relationship, or a new way of honoring the awareness of Spirit--is the evolving style of today's active dreamwork." * Henry Reed, "A Dream is a Call to Action" in Venture Inward, March 2006 *
"Dreamways of the Iroquois is at once a spiritual odyssey, ...a guide to healing our lives through dreamwork,...and an invitation to soul recovery." * Branches of Light, Spring-Summer-Fall 2005 *
"...reveals the connections between dreams, spirit, wishes, and healing." * The Midwest Book Review, June 2005 *
"...an insightful discussion of how dreams can be used to reclaim the vital energy of the soul itself." * The Midwest Book Review, June 2005 *
"Robert Moss opens ancient and modern pathways into the realms of the soul, giving us insights into our deep humanity and into our American heritage. As a spiritual teacher he is world class." * David Spangler, author of Everyday Miracles: The Inner Art of Manifestation *
"Reveals the sacred art of dreaming that belongs to all of us, showing us how to navigate the web of dreams for the good of the world soul." * Caitlin Matthews, coauthor of Walkers Between the Worlds *
"Robert Moss offers us powerful and much needed medicine for our time, combining well-researched and fascinating Iroquois legends and history, the wisdom of his ancient and contemporary guides, and his own truths and teachings to inspire us to once again walk the path of soul and spirit, remembering and honoring our dreams. Highly recommended!" * Rita Dwyer, past president of the International Association for the Study of Dreams *
"Moss's book reminds us of the spiritual magic awaiting each of us tonight when we cross the dreamgate to personal discovery. On the wings of his shamanic adventure, we follow Red-tailed Hawk, Dancing Bear, Silver Wolf, Wounded Stag, and his other guides to encounter the Ancient Mother who teaches him, and us, the 'way of the heart.' His practical tools help today's readers reclaim these ancient Dreamways for our own paths to healing and soul remembering." * Patricia Garfield, Ph.D., author of Creative Dreaming and co-founder of The Association for the Stud *
"In this remarkable book Robert Moss participates in Native American cultural knowledge directly--via his own dreams. His experiences delving into the Iroquois spiritual world along with his use of fascinating historical materials combine to make a rich literary feast. Dreamways of the Iroquois suggests that we profoundly coexist with those who live, or have lived, in our landscapes. It also offers valuable dreamwork techniques for understanding ourselves." * Charles Stewart, Ph.D., Department of Anthropology, University College of London *
"Dreamways of the Iroquois is filled with wonderful stories of dreamers who are time travelers and shapeshifters in their sleeping dreams and waking visions." * Susan LosCalzo, Lofty Nations, New Age Retailer, Holiday 2005 *
"This is a wonderfully written, intensely engaging and spiritually important work. . . . Not only is this a great book about dreaming, it's a fascinating exploration of the Iroquois peoples and an illuminating adventure into the world of shamanism." * Dawn Brunke, Alaska Wellness, Jan 2006 *
"Before the European invasion of North America, advanced systems of knowledge had been amassed over the centuries by indigenous people. One of the most remarkable aspects of the Iroquois tradition was the process by which they worked with dreams. In this entertaining and informative book, Robert Moss has made these 'dreamways' available to contemporary readers, who will be inspired by the spiritual insight and practical advice that is still applicable today." * Stanley Krippner, Ph.D., co-author of Extraordinary Dreams *
"Timely and significant, this is a powerful and richly satisfying combination of myth, history, dream-tellings, stories, poems, and practical tools for 'reaching for the sky.' It provides answers for improving the everyday discipline of dreaming in a culture that has all but lost its soul by forgetting to dream." * Bobbye Middendorf, ForeWord, Mar-Apr 2005 *

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