Drawing on a dazzling array of sources, Documents of Utopia makes a significant contribution to our understanding of two, seemingly opposed, trends in contemporary art practice: the archival turn and the burgeoning interest in utopia. Paolo Magagnoli offers a clear and sophisticated argument that a desire to recover the past can also be one to rethink the future. -- Paul Wilson, Ithaca College
Acknowledgments Introduction. Nostalgia: Pathological and Critical 1. Ruins of Utopia 2. Reinventing Propaganda Films 3. Archives of Commodities 4. Digital Utopia in the Post-Internet Age Epilogue: Utopia Now Bibliography Index
Paolo Magagnoli is a Lecturer in Art History in the School of Communication and Arts at the University of Queensland, Australia. He writes widely on modern and contemporary art, with a focus on the history of experimental cinema and photography.