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Doctor Faustus
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Table of Contents

Series Introduction; Timeline; Introduction, Sara Munson Deats (University of South Florida, USA); 1. The Critical Backstory, Bruce T. Brandt (South Dakota State University, USA); 2. The Performance History, David Bevington (University of Chicago, USA); 3. The State of the Art - Current Critical Research, Robert A. Logan (University of Hartford, USA); 4. New Directions: Doctor Faustus and Renaissance Hermeticism, Andrew Duxfield (Sheffield Hallam University, UK); 5. New Directions: Imperialism as Devilry: A Postcolonial Analysis of Doctor Faustus, Toni Francis (The College of the Bahamas); 6. New Directions: "What means this show?" Directing a Student Faustus, Andrew James Hartley (University of North Carolina at Charlotte, USA); 7. New Directions: The Other Black Arts: Doctor Faustus and the Inky Words of Printing and Writing Georgia Brown (London, UK); 8. A Survey of Resources, Sarah K. Scott (Mount St. Mary's University, USA); Notes on Contributors; Index.

About the Author

Sara Munson Deats is Distinguished University Professor of English and Co-Director of the Center of Applied Humanities at The University of South Florida, USA. She has published widely on Marlowe and Shakespeare, has served as President of the Marlowe Society of America, and in 1998 received the international Roma Gill Prize for Outstanding Contribution to Marlowe Scholarship.

Reviews

"Scholars of English literature introduce students to some features of the play written by British playwright Christopher Marlowe (1564-93) in 1588, the year of the Spanish Armada. They cover the critical backstory, the performance history, current critical research, Renaissance hermeticism, imperialism as devilry in a postcolonial reading, staging Faustus on campus, and the other black arts of printing and writing. A final chapter surveys resources." -Eithne O'Leyne, BOOK NEWS, Inc.


"Doctor Faustus: A Critical Guide offers meticulously detailed and lucid overviews of the vexed textual, critical, and performance history of Marlowe's most widely read and performed play, devoting an entire chapter to recent trends in scholarship and interpretation. For these reasons, and because of its deliberate emphasis on the relatively neglected area of performance studies of Doctor Faustus, it is an exceptionally ambitious and valuable work."
- Constance Brown Kuriyama, Professor of English, Texas Tech University, USA
"This volume represents much of the star power in Marlowe Studies over recent decades, including three past presidents of the Marlowe Society of America along with two current officers. Readers may be assured that the scholarly assessments in this volume are well informed, judicious, insightful, and forward-looking."
- Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock, USA; President, Marlowe Society of America
"This wide-ranging book provides food for thought for readers of all levels: it helps orient the beginner with useful surveys of the critical territory and it caters to more advanced readers with stimulating scholarly essays on topics such as postcolonialism, print culture and the occult. Andrew Duxfield approaches Renaissance hermeticism in an admirably clear and user-friendly way; Georgia Brown imaginatively examines writing/printing as both a context for and a theme of the play; and Andrew Hartley's experience of directing Dr Faustus provides brilliant and pithy insights about the play's theatricality and applicability to audiences and readers today. There are extensive (and helpfully annotated) reading lists to guide all readers through the critical maze. Every chapter is full of useful information and observations. This is a valuable addition to the library of every school or university - and to the bookcase of every student."
- Laurie Maguire, Professor of English, University of Oxford, UK

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