Acknowledgments Chapter 1: Curated Storytelling Chapter 2: Charting the Storytelling Turn Chapter 3: Stories and Statecraft: Why Counting on Apathy Might Not Be Enough Chapter 4: Out of the Home, Into the House: How Storytelling at the Legislature Can Narrow Movement Goals Chapter 5: Sticking to the Script: The Battle Over Representations Chapter 6: Rumbas in the Barrio: Personal Lives in a Collectivist Project Epilogue: New Movements, New Stories? Bibliography Index
Sujatha Fernandes is Professor of Political Economy and Sociology at the University of Sydney. She was previously a Professor of Sociology at the City University of New York. A former member of the Princeton Society of Fellows, she is the author of Cuba Represent!, Who Can Stop the Drums?, and Close to the Edge. She has written for The New York Times, The Nation, and Dissent, among other publications.
"In a world in which telling stories has become a mark of activist practice, Sujatha Fernandes demands we consider the unanticipated consequences of narrative. In her remarkable, frame-breaking work, Curated Stories: The Uses and Misuses of Storytelling, Fernandes reminds us that even those tales designed to be challenging can support a neoliberal status quo, placing personal experience before collective action. Based on rich and diverse case studies from New York to Venezuela to Afghanistan, Fernandes demonstrates that the narrative turn can produce discomforting outcomes unless the position of the oppressed community is carefully considered. This is a rare work that through its powerful logic and dramatic examples has changed forever how I will listen to stories."-- Gary Alan Fine, James E. Johnson Professor of Sociology, Northwestern University, and author of The Global Grapevine: Why Rumors of Terrorism, Immigration, and Trade Matter "Sujatha Fernandes develops a compelling political economy of storytelling in this book. Richly constituted by careful attention to the instrumental importance and uses of stories of marginalized peoples, Curated Stories is at once immersed in the critical literature on stories and storytelling, globalization, and social history; it is in this sense a model of the best of interdisciplinary scholarship." --Kandice Chuh, Professor of English and American Studies, Graduate Center, CUNY "In a well thought out, brilliantly written book, Sujatha Fernandes engages readers in conversation about domestic labor, undocumented migrants, and other important issues. The hard work of devising strategy and forming coalitions forces us to ask: Whose movement is it? Who gets to frame and shape the narrative? Fernandes reminds us that the answers matter greatly to achieving real social change." --Christine Lewis, Secretary/Cultural Outreach Coordinator of Domestic Workers United