About the Author

Professor Kevin Donnelly is Professor of Film and Film Music at the University of Southampton. He has written or edited 12 books, including Occult Aesthetics: Sound and Image Synchronization (Oxford University Press, 2013; which received an award from the American Musicological Society), The Spectre of Sound (BFI, 2005, second edition 2020), Magical Musical Tour: Pop and Rock in Film Soundtracks (Bloomsbury, 2015; which received an award from the Southwest Popular and American Cultural Association), Pop Music in British Cinema (BFI, 2001), British Film Music and Film Musicals (Palgrave, 2007) and The Shining (Columbia University Press, 2018). He is co-series editor of EUP's Music and the Moving Image series, and co-edited Contemporary Musical Film for the series (EUP, 2019) Professor Kevin Donnelly is Professor of Film and Film Music at the University of Southampton. He has written or edited 12 books, including Occult Aesthetics: Sound and Image Synchronization (Oxford University Press, 2013; which received an award from the American Musicological Society), The Spectre of Sound (BFI, 2005, second edition 2020), Magical Musical Tour: Pop and Rock in Film Soundtracks (Bloomsbury, 2015; which received an award from the Southwest Popular and American Cultural Association), Pop Music in British Cinema (BFI, 2001), British Film Music and Film Musicals (Palgrave, 2007) and The Shining (Columbia University Press, 2018). He is co-series editor of EUP's Music and the Moving Image series, and co-edited Contemporary Musical Film for the series (EUP, 2019) Beth Carroll is a Lecturer in Film at the University of Southampton. Her research focuses on matters relating to audiovisual media, including space, place and the body. Beth is particularly interested in sound and the impact it has on issues of immersion and phenomenology in film, videogames, and VR. She is the author of Feeling Film: A Spatial Approach and co-editor of Contemporary Musical Film.