Confronting Tennessee Williams's "A Streetcar Named Desire"
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Preface Reflections on/of A Streetcar Named Desire by Philip C. Kolin Readymade Desire by Herbert Blau Marginalia: Streetcar, Williams, and Foucault by William Kleb There Are Lives that Desire Does Not Sustain: A Streetcar Named Desire by Calvin Bedient The Ontological Potentialities of Antichaos and Adaptation in A Streetcar Named Desire by Laura Morrow and Edward Morrow "We've had this date with each other from the beginning": Reading toward Closure in A Streetcar Named Desire by June Schlueter Perceptual Conflict and the Perversion of Creativity in A Streetcar Named Desire by Laurilyn J. Harris Eunice Hubbell and the Feminine Thematics of A Streetcar Named Desire by Philip C. Kolin The White Goddess, Ethnicity, and the Politics of Desire by Lionel Kelly The Myth Is the Message; or, Why Streetcar Keeps Running by Mark Royden Winchell The Broken World: Romanticism, Realism, Naturalism in A Streetcar Named Desire by W. Kenneth Holditch Birth and Death in A Streetcar Named Desire by Bert Cardullo A Streetcar Named Desire: The Political and Historical Subtext by Robert Bray The Cultural Context of A Streetcar Named Desire in Germany by Jurgen Wolter A Streetcar Named Desire: Play and Film by Gene D. Phillips, S.J.

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This great drama classic is here analyzed from diverse critical and cultural stances, methods, and modalities.

About the Author

PHILIP C. KOLIN is Professor of English at the University of Southern Mississippi. His many books include Confronting Tennessee Williams's A Streetcar Named Desire (Greenwood, 1993), Tennessee Williams: A Guide to Research and Performance (Greenwood, 1998) and The Tennessee Williams Encyclopedia (Greenwood, 2003).

Reviews

"Just when we thought everything worth saying about Streetcar had been said, along comes Kolin's collection. Not only do several of these essays illuminate Williams's classic play in unexpected and persuasive ways, they also demonstrate how some of the new theoretical approaches can usefully be applied to dramatic texts in general."-Thomas P. Adler Professor of English Associate Dean of Liberal Arts, Purdue University author of "A Streetcar Named Desire: The Moth and the Lantern"

"Philip Kolin has given us virtually a grand tour of contemporary literary theory in his superb collection of original critical essays. . . . Kolin's book is as close to being a definitive collection of critical, theoretical, and cultural approaches to Williams's most important play. . . . Anyone who is teaching or taking a course in critical theory or who is involved in theatre--or who simply likes reading about it--will find Kolin's richly layered book dramatic, convincing, and exciting."- Virginia Spencer Carr Chair, Department of English Georgia State University

"This is a distinguished sequel to critical essays on Streetcar published in 1971 and 1988. Unlike them, this collection comprises previously unpublished, cutting-edge applications of the most prominent theoretical and methodological stances of the last twenty-five years, providing contemporary readings of the play. . . . I strongly recommend this volume to anyone interested in contemporary criticism in general and in particular to students and scholars of American drama and the work of Tennessee Williams."- Don B. Wilmeth Professor of Theatre & English President, American Society for Theatre Research Brown University

.,."rich and often exciting, the new anthology is a stimulating and invigorating experience."-Modern Drama

?...rich and often exciting, the new anthology is a stimulating and invigorating experience.?-Modern Drama

?[G]athers the essentials together is a single concise volume. Appropriate for some reference collections, this Encyclopedia is another one of those well crafted works that may be even more useful in circulation, or on private shelves. In any case, academic and public libraries should find it a worthwhile choice.?-Against the Grain

?Philip Kolin has moved A Streetcar Named Desire criticism light years from the old formalism of its earlier critics. Fifteen of the most accomplished scholars of modern drama explore the play from most of the major critical perspectives in vogue today: This eclectic collection of essays deserves applause because it places Streetcare criticism on the cutting edge of critical theory.?-Theatre Survey

?This distinguished collection creatively provides compelling reason to believe, as Irene Selznick did in 1947, that "Blanche is coming to stay with us."?- World Literature Today

?This is a valuable addendum to the flurry of books printed on him since his death....Advanced undergraduate; graduate, faculty.?-Choice

?We benefit enormously from Kolin's efforts in this collection, fifteen new essays focused on one play from a grand variety of perspectives.?-The Southern Quarterly

"�G�athers the essentials together is a single concise volume. Appropriate for some reference collections, this Encyclopedia is another one of those well crafted works that may be even more useful in circulation, or on private shelves. In any case, academic and public libraries should find it a worthwhile choice."-Against the Grain

..."rich and often exciting, the new anthology is a stimulating and invigorating experience."-Modern Drama

"[G]athers the essentials together is a single concise volume. Appropriate for some reference collections, this Encyclopedia is another one of those well crafted works that may be even more useful in circulation, or on private shelves. In any case, academic and public libraries should find it a worthwhile choice."-Against the Grain

"This distinguished collection creatively provides compelling reason to believe, as Irene Selznick did in 1947, that "Blanche is coming to stay with us.""- World Literature Today

"This is a valuable addendum to the flurry of books printed on him since his death....Advanced undergraduate; graduate, faculty."-Choice

"We benefit enormously from Kolin's efforts in this collection, fifteen new essays focused on one play from a grand variety of perspectives."-The Southern Quarterly

"Philip Kolin has moved A Streetcar Named Desire criticism light years from the old formalism of its earlier critics. Fifteen of the most accomplished scholars of modern drama explore the play from most of the major critical perspectives in vogue today: This eclectic collection of essays deserves applause because it places Streetcare criticism on the cutting edge of critical theory."-Theatre Survey

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