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The sequel to the international bestseller American Tabloid
James Ellroy was born in Los Angeles in 1948. His L. A. Quartet novels - The Black Dahlia, The Big Nowhere, L. A. Confidential and White Jazz were international bestsellers. His novel American Tabloid was Time magazine's Novel of the Year in 1995; his memoir My Dark Places was a Time Best Book of the Year and a New York Times Notable Book for 1996. He lives in Kansas City.
Dig it: Ellroy writes tight. Ellroy writes large. Ellroy vibes great lit he's the Willie S. of noir. It's easy to elbow Ellroy, but that's only because he's got his act down. His new novel is a career performance. Running from one day of infamy (11/22/63) to another (6/5/68) and a bit beyond, it limns a confluence of conspiracies beginning with the shooting of JFK in Dallas and ending with the death of his brother in L.A. In between, Ellroy depicts the takeover of Vegas by the Outfit, with Howard Hughes as its beard; the escalation of the war in Vietnam and the takeover of heroin cultivation there by the Mob; the enmity of J. Edgar Hoover toward Martin Luther King, leading to the King killing months before bullets topple Bobby K. Big names play roles huge and small: the aforementioned celebs; Bayard Rustin, an FBI blackmail target for his homosexuality; Sal Mineo, a Mob blackmail target for carving up a male trick; Oswald, Ruby, SirhanSirhan, James Earl Jones, patsies all; Sonny Liston, sliding from world champion to world-class thug; assorted "Boys," including mobster Carlos Marcellos, the spider at the center of the web. While great men pull strings, however, smaller men not only dance but sometimes tug back; a wide cast of characters mercenaries, twisted cops, thieves, financiers, pimps, whores and cons keep the conspiracies chugging while indulging in assorted vanities and vendettas. What emerges is a violent, sexually squalid, nightmare version of America in the '60s, one that, through Ellroy's insertion of telephone transcripts and FBI and other documents, gains historical credence. With Ellroy's ice-pick declarative prose (thankfully varied occasionally by those documents), plus his heart-trembling, brain-searing subject matter, readers will feel kneed, stomped upon and then kicked right up into the maw of hard truth. (On-sale date, May 8) Copyright 2001 Cahners Business Information.
Ellroy's latest novel looks at the dark side of American life during the 1960s, focusing on a Las Vegas police officer, Wayne Tedrow Jr., and his inadvertent role in the cover-up of John F. Kennedy's assassination. The narrative spans a five-year period and traces Tedrow's dealings with the Mafia, the Ku Klux Klan, and various political and cultural icons of that time period. Ellroy's fast-paced tale takes the reader on a breathtaking ride through the underbelly of America. It is readable yet complex in its character development and critical examination of U.S. public policy. Like most of Ellroy's works among them L.A. Confidential and The Crime Wave it is graphic in its description of violence and should be reserved for a mature audience. Recommended for public and academic libraries. [Previewed in Prepub Alert, LJ 1/01.] Thomas Auger, Georgia Inst. of Technology, Atlanta Copyright 2001 Cahners Business Information.
"The quality mark of The Cold Six Thousand is that it can give heavyweight punch to even that most worked-over image, the shooting of JFK ... Knockout" * Guardian * "Richer and darker than ever, this story ... reminds us how far ahead of his peers Ellroy really is" * New Statesman * "The Cold Six Thousand is as brutal and honest an exposure of the American Dream as anyone could hope for" * Scotsman * "Astonishing ... not America corrupted, but America in its purest, uncut form" * Independent * "Ellroy is the author of some of the most powerful crime novels ever written" * New York Times *