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City of Nets
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In 1939, fifty million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering. The 1940s became the decade of Hollywood's decline: anticommunist hysteria excommunicated some of its best talent, while a 1948 antitrust consent decree ended many of the business practices that had made the studio system so profitable. In this masterful work of cultural history, the legendary Otto Friedrich tells the story of Hollywood's heyday and decline in a vivid narrative featuring an all-star cast of the actors, writers, musicians, composers, producers, directors, racketeers, labor leaders, journalists, and politicians who played major parts in the movie capital during the turbulent decade from World War II to the Korean War. Friedrich draws on sources from celebrity biographies to trade-union history, mingling lively gossip with analysis of Hollywood's seedier business dealings and telling the stories of legendary movies such as Citizen Kane, The Maltese Falcon, Double Indemnity, and All About Eve. A classic portrait of a special place in a special time, City of Nets gives us a singular behind-the-scenes glimpse into a bygone era that still captivates our imaginations.
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About the Author

Otto Friedrich (1929-1995) was a journalist and cultural historian. A contributing editor at The Saturday Evening Post and Time magazine, he was the author of fourteen books, including Before the Deluge: A Portrait of Berlin in the 1920s.

Reviews

"A `City of Nets' is what Mr. Friedrich calls Hollywood in the title of his new social history. . . . Mr. Friedrich's intelligent prose makes for fascinating reading." -- New York Times Book Review "What happened in these 10 years is as rich and colorful a story as can be imagined and Friedrich has more than done it justice . . . in a narrative that is often funny and remarkably even-handed--a must for movie buffs and a rewarding read for everyone else." -- Publishers Weekly

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