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Anna Smaill was born in Auckland in 1979. A classically trained violinist, she holds an MA in Creative Writing from the International Institute of Modern Letters (Wellington), an MA in English Literature from the University of Auckland and a PhD in contemporary American poetry from University College London. She is the author of one book of poetry (The Violinist in Spring, VUP 2005) and her poems have been published and anthologised in New Zealand and the United Kingdom. She has lived and worked in both Tokyo and London, and now lives in New Zealand with her husband, novelist Carl Shuker, and their daughter.
Cleverly orchestrated * Guardian * Entrancingly poetic and engagingly plotted, this is a story that brims with heart and soul. * Kirkus reviews * Cleverly orchestrated * Guardian * For a story about music, The Chimes is a triumph on the printed page. * SFX Magazine * This is a story that rivets us from the beginning but, for those wanting more, there are delicious depths that change an excellent story into an equally excellent thought provoking fable. As if that isn't enough, it also convinces us that Anna is a very clever lady. ... hugely compelling ... Oh yes, this is definitely a 'Wow!' book. * The Bookbag * lyrical debut * Sunday Express * An enthralling read. * The Lady * An exciting debut, a book full of rhythm, energy and melody... There's no doubt Smaill has created a distinctive and impressive debut, one that dares to create its own music. * The List * Anna Smail's ambition fiction debut is a strange, compelling tale; full of musical metaphors and striking imagery, it is wildly imaginative and challenging. * Choice Magazine * Dystopian fiction but not quite as we know it... Smaill's particular melodious inventiveness makes her story her own. * Independent * Magical, tender, thought provoking and stunningly imaginative. * Lindsay Hawdon, author of JAKOB'S COLOURS * Atmospheric, intensely-imagined strangeness * Daily Mail * A dazzling debut piece of fantasy that marries great writing with compelling narrative. And the world Smaill has invented, where memory has been replaced by music and people cling to objects that link them to their pasts, is brilliantly imagined.... a serious book with serious talent behind it. * New Zealand Herald * Strangely compelling * Sainsbury's Magazine * Atmospheric, intensely-imagined strangeness * Daily Mail * The pleasure lies in getting to grips with the rules of this eerie dystopia and the unusual vocabulary Smaill has minted to describe it. * Metro * Smaill is a former musician with a book of poetry already to her name. The Chimes has strong echoes of both these influences as we're taken on a strange and lyrical journey through a dystopian England . . . The intrinsic links between music and memory suffuse this dreamy narrative . . . the idiosyncratic world [that] Smaill has lovingly created using melodic and musical syntax - her narrative style brimming with invention and nuance. * The Big Issue * The novel is hypnotic, melancholic and requires concentration, but it builds to an incredibly tense and emotionally satisfying climax that rewards all the effort. * Elle * Cleverly orchestrated and poignantly conveyed throughout. * Guardian * A genuinely originalnovel that has all the tension of a well-told, gripping thriller, but which is elevated well above the ordinary by its shining, lyrical language. The author has created a believable, consistent and vivid world... * Clare Morrall * The Chimes is a remarkable debut. It's inventive, beautifully written, and completely absorbing. I highly recommend it. * Kevin Powers, author of THE YELLOW BIRDS * SUPERB... intriguing, ambitious and strikingly written. * James Kidd, Independent on Sunday * To call The Chimes striking is I dare say to underplay what might be the most distinctive debut of the decade. * Tor.com * WINNER OF THE 2016 WORLD FANTASY AWARD FOR BEST NOVEL AND NOMINATED FOR THE 2015 MAN BOOKER PRIZE