Table of Contents

Introduction
The Naked Cave Man

Chapter 1
The Seductive Axe; The Well-Clothed Arrivals

Chapter 2
A Skeptic Admits His Error; The Passion of Miss Mary E. Boyle

Chapter 3
Noble Robot, an Inquiring Dog; The Abbé’s Sermons on the Mount

Chapter 4
The Great Black Cow; How to Paint a Horse

Chapter 5
A Stormy Drama Among Bison; The Golden Section

Chapter 6
A Lively but Unreliable Creation; Quaint, Symbolic Arrows

Chapter 7
The Trident-Shaped Cave; Pairing, Not Coupling

Chapter 8
Three Brothers in a Boat; The Sorcerer

Chapter 9
A Passage Underwater; The Skull on a Rock

Chapter 10
Strange, Stylized Women; The World Below the World

Acknowledgments
Notes
Bibliography
Index

About the Author

Gregory Curtis is the author of Disarmed: The Story of the Venus de Milo. He was the editor of Texas Monthly from 1981 until 2000. His writing has appeared in The New York Times, The New York Times Magazine, Fortune, Time, and RollingStone, among other publications. A graduate of Rice University and San Francisco State College, he lives with his wife in Austin, Texas.

Reviews

"Fascinating. . . . We will be arguing about these glorious creations for many years to come." —The Washington Post Book World"The beauty of the cave art moves Curtis deeply, and his writing preserves that passionate response." —Seattle Times“Curtis is a good storyteller, and he has good stories to tell about eccentrics of all sorts.” —The Christian Science Monitor“A fascinating survey of the rival theories. . . . [Readers will be] swept up in the beauty of the cave paintings and the persuasive pull of his prose.” —Richmond Times-Dispatch

"Fascinating. . . . We will be arguing about these glorious creations for many years to come." -The Washington Post Book World"The beauty of the cave art moves Curtis deeply, and his writing preserves that passionate response." -Seattle Times"Curtis is a good storyteller, and he has good stories to tell about eccentrics of all sorts." -The Christian Science Monitor"A fascinating survey of the rival theories. . . . [Readers will be] swept up in the beauty of the cave paintings and the persuasive pull of his prose." -Richmond Times-Dispatch