Catching the Big Fish is a revelation for all want to understand Lynch's personal vision. And it is equally compelling for any who wonder how they can nurture their own creativity.
David Lynch advanced to the front ranks of international cinema in 1977 with the release of his first film, the startlingly original Eraserhead. Over the course of his career, Lynch was nominated for three Best Director Academy Awards (The Elephant Man, Blue Velvet, and Mulholland Drive), won the Palme d’Or for Wild at Heart, swept the country with Twin Peaks mania in 1990 when his groundbreaking television series premiered on ABC, and established himself as an artist of tremendous range and wit. David Lynch died in January 2025.
“The director explores every aspect of his work in film, music,
photography, and other aesthetic pursuits, including
behind-the-scenes stories about Twin Peaks, Blue Velvet and
Mulholland Drive and revelations on his thirty-five years of
Transcendental Mediation. Read it because: This is about as close
as Lynch will ever come to an interior shot of his famously weird
mind.”
—Kelly Lemieux, Rocky Mountain News
“The book, an unexpected delight, serves as a sort of skeleton key
to the rest: In it he muses on the relationship between
Transcendental Meditation and his work with appealingly nondidactic
and non–New Age-y clarity, and in so doing opens the door—a crack,
at least—to the heretofore impenetrable mysteries of his
imagination.”
—Katie Bolick, The Boston Globe
“The quirky helmer known for Boy Scout demeanor and twisted tales
shares his creative vision in a surprisingly gentle tome informed
by the underlying teachings of Transcendental Meditation. But don’t
worry: David Lynch, one-time creator of “The Angriest Dog in the
World” comic, keeps the proselytizing to a minimum. He addresses
topics ranging from working with wood (for it) to director’s
commentaries (against) in deceptively simple, yet ultimately
affirming, chapters. There’s much for fans and aspiring filmmakers
to enjoy.”
—Variety
“Ideas are like fish. If you want to catch little fish, you can
stay in the shallow water. But if you want to catch the big fish,
you've got to go deeper," says David Lynch the idiosyncratic
filmmaker whose creations include Eraserhead, Blue Velvet,
Mulholland Drive, Inland Empire, and the cult TV classic, Twin
Peaks. He claims that he has savored the pleasures of diving deep
thanks to a 33-year practice of Transcendental Meditation (TM). He
describes the fun of gathering what he calls "firewood" (all kinds
of ideas and things for a film), the joy he takes in seeing an
aging building or a rusted bridge, and the respect he has for
Fellini and Kubrick. Lynch loves making movies and diving deep, and
this testament bears witness to both loves.”
—Spirituality & Practice
“In Catching the Big Fish: Meditation, Consciousness, and
Creativity, David Lynch puts aside his filmic quest to get inside
the viewer’s head and lets them instead inside his, an invitation
almost as rare as a ticket to fiction’s Wonka Chocolate Factory,
and possibly just as out of this world. Catching the Big Fish is a
blend of thoughts and themes, sometimes random like a stream of
consciousness, or — the analogy he personally prefers for
creativity — casting a hook into a bottomless sea. The book melds
biography, film analysis, philosophy and spirituality with a
heart-on-sleeve sincerity, while incorporating a narrative of the
author’s passion for charting the world of dreams and ideas and
rendering them unto action.”
—BlogCritics
“With this book, Lynch offers us a rare glimpse into his own head.
In the process, he reveals just enough biographical information,
philosophy of film, and general behind-the-scenes dirt (including
the connection between Lynch's Lost Highway and O. J. Simpson)to
keep the attention of those more interested in Lynch's films than
in his consciousness.”
—Booklist
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