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The Cambridge Companion to Children's Literature
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Table of Contents

Preface M. O. Grenby and Andrea Immel; Chronology Eric J. Johnson; Part I. Contexts and Genres: 1. The origins of children's literature M. O. Grenby; 2. Children's books and the constructions of childhood Andrea Immel; 3. The making of children's books Brian Alderson; 4. Picture book worlds and ways of seeing Katie Trumpener; 5. The fear of poetry Richard Flynn; 6. Retelling stories across time and cultures John Stephens; 7. Classics and canons Deborah Stevenson; Part II. Audiences: 8. Learning to be literate Lissa Paul; 9. Gender roles in children's fiction Judy Simons; 10. Children's texts and the grown-up reader U. C. Knoepfelmacher; 11. Ideas of difference in children's literature Lynne Vallone; Part III. Forms and Themes: 12. Changing families in children's fiction Kimberley Reynolds; 13. Traditions of the school story Mavis Reimer; 14. Fantasy's alternative geography for children Andrea Immel, U. C. Knoepfelmacher and Julia Briggs; 15. Animal and object stories David Rudd; 16. Humour and the body in children's literature Roderick McGillis; Guide to further reading; Index.

Promotional Information

A wide-ranging introduction to an exciting and rapidly expanding field.

About the Author

M. O. Grenby is Reader in Children's Literature at the University of Newcastle upon Tyne. Andrea Immel is Curator of the Cotsen Children's Library at Princeton University, New Jersey.

Reviews

'... concise, stimulating comments on other school stories from the late 20th century, such as Diana Wynne Jones's Witch Week, help cast the conventions and conventionality of the Harry Potter books into relief and draw attention to the numerous alternative school stories out there.' www.parentcentral.ca
'The Cambridge Companion, lucid, entertaining, and with hardly a word wasted, locates itself in an accessible, mainstream position, and generally does an outstanding job of playing critical and historical catch-up on its more established literary fellow disciplines ... beautiful to behold - books to cheer the bookperson's heart, and the inclusion in the series of a volume on Children's Literature, especially one as good as this, should be the cause of unalloyed delight.' Modern Language Review
' ... excellent, straightforward collection that covers the fundamentals. It is also a collection that inspires readers to delve deeper ... provides a perfect sampling of scholarship for undergraduate and graduate students, but this collection should also appeal to established scholars and experts in the field.' Muse
"[T]here are some critical works with a scope that reaches out to anyone who has questions to ask of children's literature as a whole...The Cambridge Companion to Children's Literature is one of those books....this Companion is both stimulating and illuminating. Such critical insights sharpen our abilities assess what's hot off the presses." -Deirdre Baker
"The variety of informative contributions contained within this volume-from focused analyzes of themes such as the animal figure or the body, to passionate arguments for form such as in Richard Flynn's excellent `The fear of poetry' (76-90)-and its elegance of structure ensures that The Cambridge Companion to Children's Literature cannot fail to be of value to the reader interested in the parallel worlds of children's books." -Naomi Milthorpe, Media-Culture Reviews
"The chapters in the collection are broad but not typical in how they approach children's literature. As a whole, the collection is well structured and diverse in its critical approaches [...] As an introduction to children's literature, The Cambridge Companion to Children's Literature is an excellent, straightforward collection that covers the fundamentals. It is also a collection that inspires readers to delve deeper." -Matthew B. Prickett, Rutgers University at Camden, Children's Literature Association Quarterly
"...each does what it sets out to do-to illuminate different ways of thinking about this strikingly complex subject, with its multiple audiences and their different needs. They would make good, complementary, companions on anyone's shelf." Peter Hunt,Newcastle University

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