Edward Lee is the author of Smoke & Pickles; chef/owner of 610 Magnolia, MilkWood, and Whiskey Dry in Louisville, Kentucky; and culinary director of Succotash in National Harbor, Maryland, and Penn Quarter, Washington, DC. He appears frequently in print and on television, including earning an Emmy nomination for his role in the Emmy Award winning series The Mind of a Chef. Most recently, he wrote and hosted the feature documentary Fermented. He lives in Louisville and Washington, DC, and you can find him on Instagram and Twitter @chefedwardlee.
"Striking stories. . . . Lee is a master."
--New York Times Book Review"Beautifully written."
--NPR "Lee is a gifted storyteller and those first few chapters
will grab you and keep you riveted all the way to the end."
--Bon Appétit
"Capture[s] what the nation's melting pot cuisine is today."
--Food Wine, Staff Favorite "Part adventure tale, part memoir. . .
. Don't hit the beach without this remarkable book in your
bag."
--Fine Cooking "Conjure[s] writers as diverse and compelling as
Alexis de Tocqueville, M.F.K. Fisher and Anthony Bourdain. . . .
Powerful, poignant, and timely."
--Atlanta Journal-Constitution
"Lee peels open the layers of what it means to be American today. .
. . [Buttermilk Graffiti] contains a level of awareness that's
often missing from chef memoirs. . . . Lee is just as well-read and
reflective as master of the genre Anthony Bourdain, but he brings a
fresh take."
--Eater "Raw, gritty. . . . Each chapter in Buttermilk Graffiti
presents a new adventure."
--Richmond Times-Dispatch "Lee is consistently willing to dive into
unfamiliar places and challenging conversations to get stories that
haven't yet been told, and the reader emerges from Buttermilk
Graffiti richer for his efforts. . . . Buttermilk Graffiti
represents exactly the kind of inquiry that helps create a vibrant
national food scene. It's not a flavor-of-the-week Nutella lasagna
recipe turned hashtag, and it's not a reality food competition. The
book is one hyper-curious chef, on the road, meeting people in
places that haven't already been covered to death and discovering
what they eat and what makes it special. Based on the stories that
Lee tells, the journey was valuable unto itself--and we're just
fortunate to get to tag along with him."
--Christian Science Monitor "A tapestry of American cuisine. . . .
Lee's elevation of the often anonymous people behind the food we
eat speaks to his concern with not just style, but substance."
--Los Angeles Times "Like all great food writers, [Lee is] always
on the verge of declaring the thing he is currently chewing on to
be among the greatest things he's ever eaten. He will eat two West
Virginia slaw dogs before 8 a.m. and stay up all night on your
porch drinking whiskey. . . . He's so amiable that as you read the
book, you can easily imagine that he's a friend."
--The Wall Street Journal "A great romp of a read with humor,
poignancy, and--for people who love food--a page turner."
--Edible DC "Altogether eye-popping. . . . Buttermilk Graffiti is a
timely and important work that reminds readers that America's
melting pot is alive and well in the most unexpected places. And,
that we all belong."
--New York Journal of Books
"Excellent. . . . Lee celebrates unexpected confluences of cuisines
while refusing to be limited by definitions of 'authenticity.'"
--Publishers Weekly, starred review
"An acclaimed chef and restaurateur travels across the country to
explore the cultural history behind the evolving American cuisine.
Lee . . . points out the essential role that both immigrants and
longtime settlers play in the food we eat. . . . A heartfelt and
forward-thinking book."
--Kirkus Reviews "At a time when America's melting-pot culture
frightens so many citizens, Lee finds hope and joy in visiting
ethnic communities all across the nation's breadth."
--Booklist "Part adventure tale, part food treatise, part memoir,
Buttermilk Graffiti is all Edward Lee: wide-eyed, profane, hungry
for life, ever soulful, and poetic. In prose that's as gorgeous and
honest as his cooking, Lee takes us on an irresistible journey into
the amazing diversity of flavors and traditions that truly makes
this country great. An essential American story."
--Chang-rae Lee, winner of the PEN/Hemingway Award and Pulitzer
Prize finalist "Restlessly curious, unafraid, and empathetic,
Edward Lee reports and writes like a narrative journalist with a
side interest in squash schnitzel and pickle juice gravy. You won't
read a smarter book about American food culture this year."
--John T. Edge, author of The Potlikker Papers: A Food History of
the Modern South "With the release of Buttermilk Graffiti, Edward
Lee proves himself to be one of our country's great chroniclers of
culture. Going all the way back to de Tocqueville, the most
informative and impactful writing has examined class, society,
culture, assimilation, and food. Lee now joins that long list of
food/culture warriors, deciphering our modern world through what we
can learn from its food and inspiring us to look at what we eat,
where it comes from, who is cooking it, and why. In today's
political and social climate, this book is as timely as it is
important."
--Andrew Zimmern, chef, teacher, author, and host of Bizarre Foods
with Andrew Zimmern "Buttermilk Graffiti is a masterfully narrated
passion tour of some of this country's most revelatory places to
eat and the people behind them, written in Edward Lee's socially
conscious style. It left me enlightened and hungry."
--Toni Tipton-Martin, author of The Jemima Code: Two Centuries of
African American Cookbooks
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