Burning Your Boats
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Table of Contents

Burning Your BoatsIntroduction by Salman Rushdie
Early Work, 1962-6
The Man Who Loved a Double Bass
A Very, Very Great Lady and Her Son at Home
A Victorian Fable (with Glossary)
Fireworks: Nine Profane Pieces, 1974
A Souvenir of Japan
The Executioner's Beautiful Daughter
The Loves of Lady Purple
The Smile of Winter
Penetrating to the Heart of the Forest
Flesh and the Mirror
Master
Reflections
Elegy for a Freelance
The Bloody Chamber and Other Stories, 1979
The Bloody Chamber
The Courtship of Mr Lyon
The Tiger's Bride
Puss-in-Boots
The Erl-King
The Snow Child
The Lady of the House of Love
The Werewolf
The Company of Wolves
Wolf-Alice
Black Venus, 1985
Black Venus
The Kiss
Our Lady of the Massacre
The Cabinet of Edgar Allan Poe
Overture and Incidental Music for A Midsummer Night's Dream
Peter and the Wolf
The Kitchen Child
The Fall River Axe Murders
American Ghosts and Old World Wonders, 1993
Lizzie's Tiger
John Ford's 'Tis Pity She's a Whore
Gun for the Devil
The Merchant of Shadows
The Ghost Ships
In Pantoland
Ashputtle or The Mother"s Ghost
Alice in Prague or The Curious Room
Impressions: The Wrightsman Magdalene
Uncollected Stories, 1970-81
The Scarlet House
The Snow Pavilion
The Quilt Maker
Appendix: Afterword to Fireworks
First Publications

About the Author

Angela Carter (1940 -1992) wrote nine novels and numerous short stories, as well as nonfiction, radio plays, and the screenplay for Neil Jordan's 1984 movie The Company of Wolves, based on her story. She won numerous literary awards, traveled and taught widely in the United States, and lived in London.
Born in Bombay in 1947, Salman Rushdie is the author of six novels, including Grimus, Shame, The Satanic Verses, The Moor's Last Sigh, and The Ground Beneath Her Feet, and a volume of essays, Imaginary Homelands. His numerous literary prizes include the Booker Prize for Midnight's Children and the Whitbread Prize for The Satanic Verses.

Reviews

The late Angela Carter, better known as a novelist (Wise Children), wrote stories throughout her all-too-brief career, and they are all here, handsomely and perceptively introduced by Salman Rushdie, who was an old friend. These are not at all conventional stories that glimpse moments in contemporary life.They are tales, legends, variations on mythic themes, sparked by writing of great vitality, color and inventiveness, and a deeply macabre imagination. Carter's favorite themes mingle love and death. She cherishes dark forests, winter sunsets, wolves and werewolves, bloody murder, hunters, the cruel, rich husbands of maidens condemned to death. But she also has a ribald, extremely contemporary sense of humor that keeps glancing through the dark mists. Thus John Ford's Jacobean melodrama 'Tis a Pity She's a Whore resurfaces as the script for a movie directed by a 20th-century namesake; a Ph.D. candidate meets his subject's widow, someone very much like Norma Desmond in Sunset Boulevard; and Britain's immortal pantomime characters get a hilarious going-over for their psychosexual significance. There are variations on Lizzie Borden, on the childhood of Edgar Allan Poe and several on Little Red Riding Hood, who gets the better of the Big Bad Wolf in at least two of them (Carter was an ardent but scarcely PC feminist). This is not a collection to be read at a sitting; the stories' jolting intensity makes them indigestible in large doses. But for readers who respond to an antic fancy dressed in highly charged prose, they are a generous treat. (Mar.)

"Carter's world is strange, dangerous, and beautiful."
Alison Lurie, The New York Times Book Review"A treasure chest of literary and aesthetic experience mysterious, glamorous, beautiful."
Carolyn See, The Washington Post"Carter's ability to probe the secret places in the human psyche, where mysterious erotic longings and unacknowledged links with the unearthly lie buried, verges on the supernatural."
The Philadelphia Inquirer"Her imagination was one of the most dazzling of this century."
Marina Warner"An amazing plum pudding you should not miss this book."
Margaret Atwood, Toronto Globe & Mail

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