1. The British New Wave: A certain tendency?
2. From microscope to telescope: the films of Tony Richardson
3. A cinema of surfaces: Jack Clayton’s Room at the Top
4. Major themes and minor movements: composition and repetition in John Schlesinger’s Billy Liar
5. The critical forest
6. Straight lines and rigid readings: Arthur Seaton and The Arc of Flight
7. Tries and tribulations: bodies, critics, and This Sporting Life
8. Single vessels and twisting ropes
Bibliography

About the Author

B. F. Taylor is Lecturer in Film Studies at Trinity College Dublin

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About the Author