Pat Barker was born in 1943. She is the author of Union Street, Blow your House Down, The Century's Daughter, The Man Who Wasn't There, the Regeneration Trilogy (Regeneration, The Eye in the Door and The Ghost Road), Another World, Border Crossing, Double Vision, and the Life Class Trilogy (Life Class, Toby's Room and Noonday). Pat Barker lives in Durham.
Britain's Barker is best known here for her magnificent Regeneration Trilogy, based on post-World War I cases of shell shock; her new novel, set in a dour Northumbrian city, carries some of the same sense of dread discovery into contemporary civilian life. Years ago, when eight-year-old Danny Miller was accused of the murder of an old woman, psychiatrist Tom Seymour provided damning psychological testimony at the trial. Danny was sent away to a home and vanished from Tom's life, if not from his sometimes guilty memory. Then one day Tom and his wife, Lauren, out for a walk, thwart a watery suicide attempt. The drowning young man turns out to be Danny, and he badly needs Tom's help in coming to terms with his childhood trauma. So far, so good, and Barker, with her customary vivid writing and strong narrative pull, has set up a tantalizing series of questions. Was Danny really guilty? Was Tom's evidence responsible for his upended life? And what has the experience done to Tom and his shaky marriage? When Lauren decamps and a new child murder re-ignites interest in the old Danny Miller case, the stakes are perilously raised for both Tom and Danny. There are some wonderfully tense scenes of psychological exploration; the drear Newcastle atmosphere is palpable; and Barker's ear for dialogue is, as always, acute. In the end, however, the lack of a wider resonance of the kind that made the war books and the later Another World so memorable leaves the book, for all the quality of its craft, feeling flat. It is a convincing psychological thriller, but Barker enthusiasts have come to expect much more than that. (Mar.) Forecast: As suggested, this novel is not as powerfully realized as Barker's best books, and it will likely prove disappointing to some of her U.S. admirers, which may hamper sales down the road. Copyright 2001 Cahners Business Information.
In her eighth novel Barker, author of the award-winning World War I "Regeneration Trilogy," returns to the contemporary urban Newcastle setting of Another World. On a gray September afternoon, Tom and Lauren Seymour are walking along the riverbank arguing about the state of their failing marriage when a young man, after swallowing a bottle of pills, jumps into the river in front of them. Tom rescues the would-be suicide and later discovers that he has saved Danny Miller, a convicted murderer. A child psychologist, Tom had testified 13 years earlier at the then ten-year-old Danny's trial. Did his expert testimony, as Danny believes, sway the jury's verdict and send the boy to prison? Now released and living under an assumed name, Danny asks Tom to help him confront his childhood traumas, especially the murder of the old woman for which he is blamed. Still retaining a trace of guilt about the trial (perhaps Danny was as innocent as he claimed), Tom agrees and soon crosses the border between professional detachment and personal involvement. As with Barker's other books, this is a subtle psychological tale with an edge of menace. Is Danny a victim or a manipulative psychopath? Barker also captures the grittiness and bleak beauty of England's north and its people. Unfortunately, the novel falls flat at the end, leaving the reader disappointed and dissatisfied. Not one of her best efforts. [Previewed in Prepub Alert, LJ 10/15/00.] Wilda Williams, "Library Journal" Copyright 2001 Cahners Business Information.
"It's her canny feel for the psyche's ambiguous meanderings, more
than plot twists, that generates most of the thrills . . . This
author creates an atmosphere of menace worthy of a Joyce Carol
Oates."-Dan Cryer, "Newsday"
"Barker soars to new heights with this harrowing, contemporary study of fate tainted by the stench of evil."-Robert Allen Papinchak, "USA Today"
"Barker creates a sense of menace worth of Ian McEwan . . . "Border Crossing" is replete with sharp, expressive exchanges, hard poetry, and as many enigmas as implacable truths."-Kerry Field, "The Atlantic Monthly"
"Barker writes with compelling urgency-"Border Crossing" is to be read in one sitting."-Joan Mellen, "The Baltimore Sun"
"Exhilerating moral exploration, and prose as naked and jolting as an unwrapped live wire."-Richard Eder, "The New York Times Book Review"
"Pat barker understands the dynamics of psychic and shutdown as well as any writer living . . . In "Bo