Alice Thompson was born and brought up in Edinburgh. She was the former keyboard player with post-punk eighties band, The Woodentops and joint winner with Graham Swift of The James Tait Black Memorial Prize for Fiction for her first novel, Justine. Her second novel, Pandora's Box, was shortlisted for The Stakis Prize for Scottish Writer of the Year. Her other novels are Pharos, The Falconer and most recently Burnt Island. Alice is a past winner of a Creative Scotland Award. She is now lecturer in Creative Writing at Edinburgh University.
★★★★ With a nod to Angela Carter, Thompson takes the myth of
Bluebeard, the murdering husband who keeps a tally of his dead
wives, sets it down in that Edwardian summer just before the guns
of the First World War go off. It’s a superb settling for betrayal
and revenge.
*The Independent on Sunday*
★★★★ revel in the gothic darkness and inexorable drama
*The Bookbag*
The precise Edwardian vocabulary began to assume a more
contemporary feel in the wake of Violet’s treatment at the asylum,
and this proved an interesting divergence from the general feel of
the book. With flayed corpses, books covered with human skin, and
raging madness, this is definitely worth checking out…
*Raven Crime Reads*
The Book Collector shows a wry and sly mind at work throughout.
Scottish literature would be thinner without this kind of
challenging and cleverly-wrought writing.
*The Scotsman*
Alice Thompson, one-time keyboard player for Eighties band The
Woodentops, is now an established novelist, who has won praise from
Ian Rankin and Stephen King. The horror master would no doubt
approve of this slim Edwardian-era gothic, too, recalling as it
does both Rebecca and The Silence Of The Lambs.
*The Daily Mail*
A brief, but substantial, horror story.
*The Lady*
The Book Collector throws the essential elements of the gothic
chiller into a blender and what emerges is something between
pastiche and critique, in which its author never loses sight of the
need to give her readers, first and foremost, an unputdownable
yarn.
*The Herald*
With its gothic motifs, this dark portrait of a ‘fairytale’
marriage is full of mystery and suspense … an elegant and bloodily
shocking entertainment.
*The Guardian*
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