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Bone Rooms


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About the Author

Samuel J. Redman is Assistant Professor of History at the University of Massachusetts, Amherst.


Bone Rooms details the nascent views of racial science that evolved in U.S. natural history, anthropological and medical museums. These debates spilled into public museum spaces, arraying human bodies in sometimes controversial, even macabre, exhibits. Redman effectively portrays the remarkable personalities behind them, particularly pitting the prickly Ales Hrdlicka at the Smithsonian Institution in Washington, D.C., against ally-turned-rival Franz Boas at the American Museum of Natural History in New York City.-- (03/17/2016)
Bone Rooms is a beautifully written, meticulously documented analysis of the little-known history of scientists, human remains, and museum visitors...We could not ask for a better introduction to a sometimes shameful chapter in our scientific past, driven by curiosity and greed, as well as scientific enquiry. Both the general reader and any scholar working on human remains will enjoy this important book.-- (08/01/2016)
Bone Rooms is an engaging and lively book...[Redman] brings his characters alive, complete with egos and petty jealousies. But more, he encourages us to consider the changing values of human remains in museum collections and their role as the material basis for the disciplinary history of physical anthropology. Bone Rooms will hopefully appeal not only to historians of U.S. science and museums but also to a wider audience interested in the provenance of public collections.-- (09/01/2016)
Redman's Bone Rooms is detailed yet wide-ranging, thought-provoking, and highly readable. It represents a valuable contribution to the histories of American museums, anthropology, and race, building on the work of such scholars as George Stocking and Steven Conn, while complementing the recent work of David Hurst Thomas and Ann Fabian.-- (10/01/2017)
Will more than likely serve as a vital book for anthropologists and historians for years to come...The task of repatriating and creating a narrative that acknowledges the wrongdoing of our academic forebears is the first step in a very long journey towards justice. Redman's Bone Rooms is necessary reading for scholars interested in the history of anthropology and ethical representation of cultures and individuals in museums, and can be a springboard for future research and discussion on these topics.-- (09/01/2017)
Bone Rooms is an accessible piece of public history that can be appreciated by a general audience as well as scholars of the history of science...This book provides a contextualized history of the creation of a particularly unique phenomenon in the Western history of scientific tradition.--James T. Watson"Public Historian" (02/01/2017)
How did our museums become great storehouses of human remains? What have we learned from the skulls and bones of unburied dead? By following the careers of such figures as enigmatic physical anthropologist Ales Hrdlicka, Samuel Redman's Bone Rooms chases answers to these questions through shifting ideas about race, anatomy, anthropology, and archaeology and helps explain recent ethical standards for the collection and display of human dead.--Ann Fabian, author of The Skull Collectors
In exquisite detail, propelled by the captivating life stories of a diverse array of scientists and institutions, and backed by extensive archival research, Bone Rooms narrates the rise and fall of racial science in America, embodied in the imperial expropriation of people's bones. This complicated and engrossing story is filled with unexpected twists and significant implications for the history of anthropology, the history of science and medicine, museum studies, the cultural and intellectual history of race in the United States, and American intellectual history more generally.--Matthew Dennis, author of Seneca Possessed

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