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Margaret Atwood is the author of more than forty volumes of poetry, children's literature, fiction, and non-fiction, but is best known for her novels, which include The Edible Woman (1969), The Handmaid's Tale (1985), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. A book of short stories called Stone Mattress: Nine Tales was published in 2014. Her novel, MaddAddam (2013), is the final volume in a three-book series that began with the Man-Booker prize-nominated Oryx and Crake (2003) and continued with The Year of the Flood (2009). The Tent (mini-fictions) and Moral Disorder (short fiction) both appeared in 2006. A volume of poetry, The Door, was published in 2007. In Other Worlds: SF and the Human Imagination, a collection of non-fiction essays appeared in 2011. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth was adapted for the screen in 2012. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. Margaret Atwood lives in Toronto with writer Graeme Gibson. www.margaretatwood.ca
In this delightful collection of short stories, Atwood (The Blind Assassin) explores relationships between men and women, parents and children, and people and pets. She also touches on anorexia and adult children of elderly parents. In typical Atwood fashion, the characters and locations are described in detail. Bonnie Hurren transports the listener into the author's world with her excellent pronunciation and slow, well-paced intonation. Each cassette stops at a convenient point in the story rather than whenever the tape ends. While this requires the listener to fast-forward each tape before changing sides, it makes it easier to follow the story line. Recommended for popular fiction collections and any library serving Atwood fans. Laurie Selwyn, San Antonio P.L. Copyright 2001 Cahners Business Information.
"A champion of Canadian literature...A startlingly original voice." --Washington Post Book World "Atwood appears to challenge both her readers and the outside limits of her own talent...Writing at top form, writing with total control of her material, with sureness, with touches of brilliance...Bluebeard's Egg is a book to be read and re-read, to be talked about and savored." --London (Ontario) Free Press "Margaret Atwood conceals the kick of a perfume bottle converted into a Molotov cocktail." --Melvin Maddocks "Atwood's prose in Bluebeard's Egg is powerful, elegant and mellifluous to an extraordinary degree." --Quill and Quire