Sylvia Plath was born in 1932 in Massachusetts. Her books include the poetry collections The Colossus, Crossing the Water, Winter Trees, Ariel, and Collected Poems, which won the Pulitzer Prize. A complete and uncut facsimile edition of Ariel was published in 2004 with her original selection and arrangement of poems. She was married to the poet Ted Hughes, with whom she had a daughter, Frieda, and a son, Nicholas. She died in London in 1963.
"It is this perfectly wrought prose and the freshness of Plath's
voice in The Bell Jar that make this book enduring in its appeal."
- USA Today
"Esther Greenwood's account of her years in the bell jar is as
clear and readable as it is witty and disturbing. . . . [This] is
not a potboiler, nor a series of ungrateful caricatures: it is
literature." - New York Times
"The first-person narrative fixes us there, in the doctor's office,
in the asylum, in the madness, with no reassuring vacations when we
can keep company with the sane and listen to their lectures." -
Washington Post
"The narrator simply describes herself as feeling very still and
very empty, the way the eye of a tornado must feel. The in-between
moment is just what Miss Plath's poetry does catch brilliantly--the
moment poised on the edge of chaos." - Christian Science
Monitor
"Sylvia Plath was a luminous talent. . . one of the most
interesting poets in American literature." - New York Review of
Books
"Movingly chronicled. . . . It's funny, intense, enormously human."
- Cosmopolitan
"There's the depression of popular conception--the listless sadness
of a character in a pharmaceutical advertisement--and then there's
the biting, brisk, darkly comic version that Plath brings to life
in The Bell Jar. It is a curiously unyielding read: Though the book
is semi-autobiographical, Plath's lucid prose belies the mystery
she was and remains. . . . The Bell Jar is as frustrating and
brilliant as its author." - Elizabeth Bruenig, The Atlantic
"The Bell Jar is regarded as a coming-of-age masterpiece . . . .
Sylvia Plath has become of the influential writers of her time." -
Boston Globe
"It is this perfectly wrought prose and the freshness of Plath's voice in The Bell Jar that make this book enduring in its appeal and make it as meaningful . . . as it was 25 years ago." -- USA Today"Esther Greenwood's account of her years in the bell jar is as clear and readable as it is witty and disturbing. . . . [This] is not a potboiler, nor a series of ungrateful caricatures: it is literature." -- New York Times"The first-person narrative fixes us there, in the doctor's office, in the asylum, in the madness, with no reassuring vacations when we can keep company with the sane and listen to their lectures." -- Washington Post Book World"The narrator simply describes herself as feeling very still and very empty, the way the eye of a tornado must feel. The in-between moment is just what Miss Plath's poetry does catch brilliantly--the moment poised on the edge of chaos." -- Christian Science Monitor"As clear and readable as it is witty and disturbing." -- New York Times
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