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Table of Contents

Foreword: Carolyn Korsmeyer
Introduction: Peg Zeglin Brand

Part I. Revising the Concept of Beauty: Laying the Groundwork
1. Arthur Danto and the Problem of Beauty Noel Carroll
2. Savages, Wild Men, Monstrous Races: The Social Construction of Race in the Early Modern Era Gregory Velazco y Trianosky
3. Beauty's Relational Labor Monique Roelofs
4. Queer Beauty: Winckelmann and Kant on the Vicissitudes of the Ideal Whitney Davis
5. Worldwide Women Eleanor Heartney

Part II. Standards of Beauty
6. Jenny Saville Remakes the Female Nude--Feminist Reflections on the State of the Art
Diana Tietjens Meyers
7. Indigenous Beauty Phoebe M. Farris
8. Is Medical Aesthetics Really Medical? Mary Devereaux
9. The Bronze Age Revisited: The Aesthetics of Sun Tanning Jo Ellen Jacobs
10. ?Tienes Culo? How to Look at Vida Guerra Karina Cespedes and Paul C. Taylor
11. Beauty between Disability and Gender: Frida Kahlo in Paper Dolls Fedwa Malti-Douglas

Part III. The Body in Performance
12. Beauty, Youth, and the Balinese Legong Dance Stephen Davies
13. Bollywood and the Feminine: Hinduism and Images of Womanhood Jane Duran
14. Seductive Shift: A Review of "The Most Beautiful Woman in Gucha" Valerie Sullivan Fuchs
15. Feminist Art, Content and Beauty Keith Lehrer
16. ORLAN Revisited: Disembodied Virtual Hybrid Beauty Peg Zeglin Brand

Part IV. Beauty and the State
17. Beauty Wars: The Struggle over Female Modesty in the Contemporary Middle East and North Africa Allen Douglas and Fedwa Malti-Douglas
18. Orientalism Inside/Out: The Art of Soody Sharifi Cynthia Freeland
19. Beauty and the State: Female Bodies as State Apparatus and Recent Beauty Discourses in China Eva Kit Wah Man
20. Gendered Bodies in Contemporary Chinese Art Mary Wiseman

Promotional Information

Explores the history of bodily beautification

About the Author

Peg Zeglin Brand is an artist, Adjunct Associate Professor of Philosophy at IUPUI (Indiana University Purdue University-Indianapolis), and Adjunct Instructor in the University of Oregon School of Law Appropriate Dispute Resolution Center and the UO Robert D. Clark Honors College. She is the author of numerous articles in feminist philosophy and aesthetics as well as the editor of Beauty Matters (IUP, 2000) and co-editor with Carolyn Korsmeyer of Feminism and Tradition in Aesthetics.


This collection meets a need for a feminist aesthetics text which bridges aesthetic theory, art and popular culture, and acknowledges the evolving character of standards of beauty and the many meanings of feminism around the globe.36.4 Dec. 2013 * Teaching Philosophy *
The cultural, ethnic, and geographical diversity of the artistic practices is integral to the examination of the many beauties and provides the operating premise of the book. The diversity represented in this volume whether in discourse style or topic is not an add-on;instead, it is the organizing principle. The book is designed the way I wish more courses in philosophy were designed, with the idea that the history of philosophy is just one among many important sources of beauty's knowledge.72.1 Winter 2014 * Journal Aesthetics and Art Criticism *
The title of the anthology reflects its worthy call to arms: let's move past traditional theories of beauty, move from a local to a global view, and engage in more (and different) dialogs on feminist perspectives on beauty. * Hypatia *

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