Table of Contents

• ACKNOWLEDGEMENTS
• ABBREVIATIONS
• LIST OF PLATES AND FIGURES
• Introduction
• Margaret M. Manion
• 1 The Early Insular Prayer Book Tradition and the Development of the Book of Hours, Bernard J. Muir
• 2 Women, Art and Devotion: Three French Fourteenth-Century Royal Prayer Books, Margaret M. Manion
• 3 Books for a Dominican Nuns' Choir: Illustrated Liturgical Manuscripts at Saint-Louis de Poissy, c.1330-1350, Joan Naughton
• 4 The Illustrated Office of the Passion in Italian Books of Hours, Bronwyn C. Stocks
• 5 An Unusual Image of the Assumption in a Fourteenth-Century Dominican Choir-Book, Margaret M. Manion
• 6 The Dominican Liturgy of the Assumption: Texts and Music for the Divine Office, John Stinson
• 7 A Centre for Devotional and Liturgical Manuscript Illumination in Fifteenth-Century Besancon, Vera F. Vines
• 8 The Master of Jacques de Besancon and a Fifteenth-Century Parisian Missal, Hilary Maddocks
• 9 Marginalized Jewels: The Depiction of Jewellery in the Borders of Flemish Devotional Manuscripts, Kate Challis
• 10 Devotional Objects in Book Format: Diptychs in the Collection of Margaret of Austria and her Family, Dagmar Eichberger
• LIST OF CONTRIBUTORS
• INDEX

Promotional Information

No other volume deals with the same material
Much of the visual material previously unpublished or inaccessible

About the Author

Bernard Muir is Reader in Medieval Language and Literature in the English Department, University of Melbourne. His publications include The Exeter Anthology of Old English Poetry (Exeter) and A Pre-Conquest English Prayerbook (Boydell).Margaret Manion is Professor Emeritus, Department of Fine Arts, University of Melbourne. Her publications include a facsimile edition of The Wharncliffe Hours (Thames & Hudson); Medieval and Renaissance Illuminated Manuscripts in Australian Collections (with Vera F. Vines) (Thames & Hudson).

Reviews

The authors have been well served by the publishers, who have produced an attractively presented text with a generous selection of illustrations. Of serious value to all concerned with the arts as inspiration and servant of religion, especially in the late Middle Ages. The oldest manuscripts dealt with are of the early fourteenth century, the latest of the early sixteenth, and the geographical spread is from Italy to the Netherlands. But all are interesting, and the book, edited by Margaret M. Manion and Bernard J. Muir, is well presented and handsomely illustrated. A well-produced book. Not the least of its delights are the excellent eight colour and ninety-eight black-and-white plates, which put the poorly-printed and over-priced offerings of older university presses to shame. This handsomely produced and illustrated book consists of ten essays on aspects of the various types of medieval prayer books used in both public and private Christian worship from the eighth through the fifteenth century ... One of the beauties of the book is that it encompasses a variety of approaches to the subject, each illuminated by means of specific examples ... the reader will derive an understanding of the diversity underlying all aspects of the production of these objects ... It expands rather than limits our view of the place of the book in the cultural life of this period and provides a splendid introduction to this richly complex subject. Furthermore, the complementarity of pictorial image and text emerges as a major theme throughout. Although nearly all of the essays are by art historians, this book will appeal to a much wider audience. Anyone who is concerned with the life of the educated classes, both secular and religious, of the late Middle Ages will want this anthology.