Sarah Tarlow is a British archaeologist and academic. As professor of historical archaeology at the University of Leicester, Sarah is best known for her work on the archaeology of death and burial. She has written or edited ten academic books about archaeology and history. The Archaeology of Loss is her first memoir.
Look elsewhere for cheeriness; the pleasures offered here are those
of intelligence and complexity in the hard times that will come to
many of us.
*The Guardian*
Digs away at our collective fantasy that in dying or caring for the
dying we are at our best. In reality, in either role we are often
withdrawn, in pain, resentful, bad-tempered: our worst . . .
addictively unsentimental.
*The Times*
Extraordinary, unflinching, wonderful, moving.
*Nina Stibbe, author of Love, Nina*
A meticulously clear yet tender self-excavation exploring love and
bereavement.
*Rebecca Wragg Sykes, author of Kindred*
Sarah Tarlow has harnessed the consoling power of unvarnished
truth. Direct, honest and deeply compassionate, this book is a
companion for anyone navigating the hardships of loss and
uncertainty.
*Octavia Bright, author of This Ragged Grace*
Brave, bold and exquisitely told and with such vibrancy and force .
. . a personal story of love, grief, and pain perfectly framed by
the author's deep knowledge of the archaeologies of death and
mourning.
*Helen Paris, author of Lost Property*
A wonderful work of memoir . . . powerful, fiercely honest,
grippingly written and utterly immersive.
*Harry Whitehead, author of The Cannibal Spirit*
A tender and big-hearted embrace of a book . . . A poetic
excavation of loss, grief and ritual.
*Graham Caveney, author of The Boy with the Perpetual
Nervousness*
Scrupulously honest . . . Threaded through with tantalizing
glimpses of the world of archaeology, Tarlow’s book is a raw,
courageous examination of a sad ending to an uneasy
relationship.
*The Times Literary Supplement*
Profound and poignant . . . beautifully written.
*Antiquity*
In this vivid and moving memoir, archaeologist Tarlow dissects
historical death rituals while navigating her own grief after her
husband’s death. The result is a refreshingly tough-minded -but
still tender -alternative to standard grief memoirs.
*Publishers Weekly*
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