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PAUL THEBERGE is Assistant Professor of Communication Studies at Concordia University in Montreal as well as a composer. He has published widely on music, technology, and culture and has created sound works for various media, including radio and film.
"A fine and timely study. There is no other text offering a sustained analysis of the social conditions of technological innovation in the design of music technologies. Astute and remarkably pleasurable to read."--Andrew Goodwin