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The Acid House
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New or Used: 6 copies from $4.94
The characters in this extraordinary book are often - on the surface - depraved, vicious, cowardly and manipulative, but their essential humanity is never undermined. Two professors of philosophy turn pugilists; Leith removal men become the objects of desire for Hollywood goddesses; God turns Boab Coyle into a house-fly; and in the novella, 'A Smart Cunt', the drug-addled young hero spins off on a collision course with his past. The Acid House is a bizarre, disturbing and hilarious collection from one of the most uncompromising and original writers around.
Product Details

Promotional Information

An unsettling, shocking and very funny collection of short stories.

About the Author

Irvine Welsh is the author of several works of fiction, most recently Crime. He lives in Dublin.

Reviews

In Welsh's (Trainspotting) gritty proletarian universe, everyone from God to Madonna (the Material Girl, not the Virgin) speaks tough, working-class Scottish dialect: ``That cunt Nietzsche wis wide ay the maark whin he sais ah wis deid,'' confides a prickly, pint-hefting Almighty in a Glasgow pub. ``Ah'm no deid, ah jist dinnae gie a fuck.'' Nihilism and self-absorption characterize the nearly indistiguishable junkies, football hooligans and petty thieves who narrate these edgy, preponderantly first-person stories and one novella. Like fellow Scot James Kelman (whose salty vernacular Welsh's dialogue echoes), Welsh's predatory characters are society's dregs, hard-luck losers pinned to seediness by the empire's decline and by their own low expectations. The plots address this unrelenting grimness with shocking violence or twisted comedy. With the former, Welsh lacks Kelman's chilling incisiveness and tense dramatic control; he's somewhat more successful at broad satire and manic, high-concept humor. When it works, it's hilarious: ``Where the Debris Meets the Sea'' features inventive turnabout, as fanzines and tabloid TV programs about Scottish lorrie drivers feed the sexual fantasies of Madonna and friends. More often, though, the satire lacks teeth, descending instead to weak sarcasm. The title story's inspired premise (an acid tripping malcontent and a yuppie couple's newborn swap souls) fizzles out in conventional, trite pokes at political correctness, men's groups and upward mobility. Author tour. (Apr.)

"Mind-bendingly good." -- GQ magazine "The collection as a whole is sick, horrific, occasionally moving and very funny." -- New Statesman "Another season in Hell with Irvine Welsh, and God, it's invigorating." -- New Statesman

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