From one of the foremost medievalists of our time, a groundbreaking work on history and memory that goes well beyond the life of this influential saint.
Patrick Boucheron is a renowned French historian. He previously
taught medieval history at the cole normale superieure and the
University of Paris, and is currently a professor of history at the
Coll ge de France. He is the author of twelve books, including
Machiavelli- The Art of Teaching People What to Fear, and the
editor of five, including France in the World, which became a
bestseller in France.
Lara Vergnaudis a translator of prose, creative nonfiction, and
scholarly works from the French. She is the recipient of two
PEN/Heim Translation Fund Grants and a French Voices Grand Prize,
and has been nominated for the National Translation Award. She
lives in Washington, DC.
Willard Woodgrew up in France and has translated more than thirty
works of fiction and nonfiction from the French. He has won the
Lewis Galanti re Award for Literary Translation and received a
National Endowment for the Arts Fellowship in Translation. He lives
in Norfolk, Connecticut.
“France’s leading medievalist sets out on a quest, not to discover
the ‘real’ Ambrose, but to track the saint’s successive apparitions
across a thousand years and more of urban history. A masterful
account of the role played by collective memory in summoning up the
ghosts of the past to fight the battles of the present.” —Gary
Ianziti, author of Writing History in Renaissance Italy
“Patrick Boucheron weaves an enchantment almost comparable to the
songs of Ambrose himself, offering new and unexpected perspectives
upon the fourth-century bishop’s serial afterlives. Fresh meaning
is suggested for each transition, as the saint acquires his whip
and loses his beard, as the stern exclusionist policing a fragile
Milanese commune melts into the determined guarantor of an equally
fragile signorial coalition.” —Neil B. McLynn, author of Ambrose of
Milan: Church and Court in a Christian Capital
“Excellent…[Trace and Aura offers] an uncompromising erudition
coupled with the pleasure of reading and discovery.” —Le Monde des
livres
“Patrick Boucheron has succeeded in writing a history book on
history itself…Milan becomes a machine against forgetting, and
Sant’Ambrogio a machine to stop time. From the fourth to the
sixteenth century, the aura of Milan’s holy bishop oscillated like
a light in the fog.” —Livres Hebdo
“[Trace and Aura] tracks the harmonics of Ambrose, those spectral
notes the Milanese saint emits over the fundamentals of each era,
for more than ten centuries. Because before being a historical
figure, the saint is a story.” —AOC
Praise for Machiavelli:
“[Boucheron] makes a case for Machiavelli as a misunderstood and
villainized figure with political insights that can be applied to
modern times.” —New York Times Book Review
“To reframe our understanding of Machiavelli, Mr. Boucheron asks,
Who was he writing for?…If The Prince was meant to help ordinary
people understand what their leaders were up to, then it is not a
handbook for the power-crazed but a means of stopping them.” —Wall
Street Journal
“This wise, witty, razor-sharp anatomy of Machiavelli demonstrates
why the most notorious thinker of the Renaissance is the perfect
companion for our own time.” —Stephen Greenblatt, author of The
Swerve: How the World Became Modern
“An elegant introduction to this disturbing, incisive, many-sided
thinker—and a reminder of why we must read him right now.” —Sarah
Bakewell, author of How to Live: A Life of Montaigne
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