Promotional Information

Those who cannot find their own reflection in Bram Stoker's still-living creation are surely the undead - New York Times Review of Books

About the Author

Abraham Stoker was born in Dublin on 8 November 1847. He graduated in Mathematics from Trinity College, Dublin in 1867 and then worked as a civil servant. In 1878 he married Florence Balcombe. He later moved to London and became business manager of his friend Henry Irving's Lyceum Theatre. He wrote several sensational novels including novels The Snake's Pass (1890), Dracula (1897), The Jewel of Seven Stars (1903), and The Lair of the White Worm (1911). Bram Stoker died on 20 April 1912.

Reviews

An exercise in masculine anxiety and nationalist paranoia, Stoker's novel is filled with scenes that are staggeringly lurid and perverse... The one in Highgate cemetery, where Arthur and Van Helsing drive a stake through the writhing body of the vampirised Lucy Westenra, is my favourite
*Sarah Waters*

It is splendid. No book since Mrs. Shelley's Frankenstein or indeed any other at all has come near yours in originality, or terror
*Bram Stoker’s Mother*

In my opinion Dracula is about how suffocating Victorian times were. The bonus is, you get vampires!
*Ryan Adams*

Gr 7 Up‘A naive young Englishman travels to Transylvania to do business with a client, Count Dracula. After showing his true and terrifying colors, Dracula boards a ship for England in search of new, fresh blood. Unexplained disasters begin to occur in the streets of London before the mystery and the evil doer are finally put to rest. Told in a series of news reports from eyewitness observers to writers of personal diaries, this has a ring of believability that counterbalances nicely with Dracula's too-macabre-to-be-true exploits. An array of voices from talented actors makes for interesting variety. The generous use of sound effects, from train whistles to creaking doors, adds further atmosphere. Lovers of mysteries and horror will find rousing entertainment in this version of a classic tale.‘Carol Katz, Harrison Public Library, NY

Klinger brings the same impressive breadth of knowledge that distinguished The New Annotated Sherlock Holmes to this definitive examination of one of the classic horror novels of all time. Adopting the conceit that Stoker's narrative is based on fact, Klinger elucidates the plot and historical context for both Stoker devotees and those more familiar with Count Dracula from countless popular culture versions. Because he had privileged access to the typescript Stoker delivered to his publisher, Klinger is able to note changes between it and the first edition and comment on the reasons for them. Through close reading, Klinger raises questions about such matters as the role of lead vampire-hunter Van Helsing and whether the villainous count is actually dispatched at book's end. An introduction by Neil Gaiman, numerous illustrations, essays on topics ranging from Dracula in the movies to the academic response, and much more enhance the package. 8-city author tour. (Oct.) Copyright 2008 Reed Business Information.

An exercise in masculine anxiety and nationalist paranoia, Stoker's novel is filled with scenes that are staggeringly lurid and perverse... The one in Highgate cemetery, where Arthur and Van Helsing drive a stake through the writhing body of the vampirised Lucy Westenra, is my favourite -- Sarah Waters
It is splendid. No book since Mrs. Shelley's Frankenstein or indeed any other at all has come near yours in originality, or terror -- Bram Stoker's Mother
In my opinion Dracula is about how suffocating Victorian times were. The bonus is, you get vampires! -- Ryan Adams