Tales From the Beach * http://www.fishpond.co.nz/Music/Tales-From-Beach-Incognito/0053361314125

Artist: Incognito

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• Incognito: Francis Hylton (bass instrument); Iwan Wiradz, Paul Greenwood, Imaani, Jean-Paul "Bluey" Maunick, Richard Bailey , Joy Rose, Julian Crampton, Matt Cooper, Maysa , Richard Bull, Simon Grey, Ski Oakenfull, Tony Momrelle, Sid Gauld, Trevor Mires.
  
• Personnel: Iwan Wiradz (vocals, congas, bongos, kendang, shaker, tambourine, wind chime); Joy Rose, Tony Momrelle (vocals, background vocals); Maysa (vocals); Jean-Paul "Bluey" Maunick (guitar, percussion); Paul Greenwood (flute, saxophone, alto saxophone, tenor saxophone); Sid Gauld (trumpet, flugelhorn); Trevor Mires (trombone); Richard Bull (piano, electric piano, bass instrument, drums, percussion); Matt Cooper (piano, Fender Rhodes piano, Clavinet, synthesizer, Moog synthesizer, drums, percussion); Dominic "Ski" Oakenfull, Ski Oakenfull (piano, Fender Rhodes piano, Mellotron, synthesizer, ARP synthesizer, mini-Moog synthesizer, percussion, drum programming, percussion programming); Graham Harvey (electric piano); Simon Grey (Fender Rhodes piano, Clavinet, synthesizer, bass instrument, drums, percussion); Francis Hylton (keyboards, drums, percussion); Julian Crampton (bass instrument); Richard Bailey (drums, congas, shaker, timbales, percussion); Imaani (background vocals).
  
• Audio Mixer: Simon Cotsworth.
  
• Liner Note Author: Jean-Paul "Bluey" Maunick.
  
• Recording information: Aquarius Studio, Jakarta, Indonesia; Cubeaudio Tonstudio, Gottingen, Germany; Full Frequency Studios London, England; Higher Ground Studio London, England; La Mesa, Jakarta, Indonesia; Nasty Audio, Hamburg, Germany; Primaudial Studio London, England; The House On The Hill, Tuscany, Italy; The Mezzanine Studio London, England; The Premises Studio, London, England; The Way Studio London, England.
  
• Arrangers: Paul Greenwood; Sid Gauld; Trevor Mires.
  
• However fans choose to label Incognito's sound in the post-acid jazz world of 2008, it was clear that wherever the group performs, its feisty mix of retro soul, brass, funk, and jazz truly lived up to the title of 2004's Narada Jazz disc Adventures in Black Sunshine. Founder Jean-Paul "Bluey" Maunick and his often rotating "collective" group averaged an incredible six months a year on the road, wowing crowds throughout Europe and Asia, where they're biggest in Japan and Indonesia. Incognito's uniquely funky, retro soul sound is so urban that it may have at first seemed odd to call their equally infectious, constantly grooving Heads Up debut Tales from the Beach -- 'til we realize that the beaches Maunick is referring to are those on his native island of Mauritius (off the coast of Madagascar). That's where he got wind of hotel bands and others playing around bonfires and cookouts; the loose, happy flow of Incognito's bouncy, horn inflected tunes here completely reflects that wistful reference. While Maunick's crisp, jangling guitar work, Francis Hylton's bubbling bass, and those old-school soul atmospheres and horns inhabit every melody and groove, these tales are told by a shimmering array of sensual R&B singers. The most well-known of these to longtime Incognito and smooth jazz fans is Maysa, who took time from her building solo career to grace four tracks with her rich and sexy, dark toned vocals: the soaring, percussive dance gem "I've Been Waiting," the dreamy melancholy meets joy-infused "I Remember a Time," the fast rolling jazz tune "Never Look Back," and the sensuous chill rocker "When Words Are Just Words." At a generous 15 tracks, Tales from the Beach gives ample tracking to a handful of lead vocalists who are lesser known than Maysa but equally as heart tugging and soul-spiced: Joy Rose, Tony Momrelle, and Imaani. The three of them team up on the brass and vibes-tinged anthem "Feel the Pressure," perfectly showcasing the true ensemble energy that's made Incognito such a powerful force in post-acid jazz groove music for so many years. ~ Jonathan Widran