Producers include: Mike Hurst, Paul Samwell-Smith, Cat Stevens.
Compilation producer: Bill Levinson.
Digitally remastered by Ted Jensen.
Personnel: Cat Stevens (vocals).
Audio Mixer: Paul Hicks.
Liner Note Author: Malu Halasa.
Photographers: G. Hanekroot; Michael Putland; David Redfern.
Before converting to Islam in 1978, the British-born Cat Stevens blazed the trail for the sensitive singer-songwriter movement that got its start in the earlier part of the decade. Containing both early and late representations of Stevens' impressive canon, VERY BEST OF surpasses the wildly popular GREATEST HITS collection that preceded it.
Starting with the more lushly orchestrated material of the late 60s ("Matthew & Son," "The First Cut Is The Deepest" which Rod Stewart turned into a mid-70s hit), this collection captures Stevens' transformation into an introspective artisan who succeeded with a unique brand of folk-pop. Moving from a rumored ode to actress Patti D'Arbanville ("Lady D'Arbanville" featuring flutist Peter Gabriel), Stevens quickly moved into weightier matters of introspection and spirituality ranging from the global ("Wild World," "Peace Train") to the familial ("Father And Son").
In addition to writing about the plight of the younger set ("Where Do The Children Play?") and looking to religious hymns for inspiration ("Morning Has Broken"), Stevens' joyful love of pop emerged on a smash cover of Sam Cooke's "Another Saturday Night." One major highlight is 1970's previously unreleased "I've Got A Thing About Seeing My Grandson Grow Old," a twangy nugget saturated in joy and hope.
It is impossible to compile a single-disc greatest-hits compilation for Cat Stevens that will come close to satisfying all of his admirers. The Very Best of Cat Stevens is the fifth major attempt to do so and, like its predecessors, it is challenged by its subject's success. Remember Cat Stevens: The Ultimate Collection is the longest of the five (24 tracks) and may be the most comprehensive. But The Very Best of Cat Stevens, released just a year later, has several advantages that make it more appealing. To begin with, it is the only compilation to sequence chronologically songs from every one of Stevens' albums, including the experimental Foreigner. It also contains the delightful folk creed "The Wind," which was a glaring omission from the so-called Ultimate Collection. Most significantly, it contains the previously unreleased "I've Got a Thing About Seeing My Grandson Grow Old." Stevens recorded a demo of the song during the Mona Bone Jakon sessions in 1970, but it never saw the light of day until it was remixed for this collection. Perhaps this was because it was considered too eccentric for public consumption, straddling the line between the hook-rich pop of Stevens' '60s records and the groundbreaking folk-rock of his '70s efforts. If so, the public was vastly underestimated. The song is a buried treasure that fits in perfectly in the company of Stevens' best work. ~ Evan Cater
Professional Reviews
Q (12/03, p.159) - 4 stars out of 5 - "...Among these 24 tracks are some of the best-loved songs of the past four decades..."
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