This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: David Bowie (vocals, guitar, harmonica, saxophone, keyboards); David Bowie; Mick Ronson (vocals, guitar, piano, background vocals); Mac Cormack (vocals, background vocals); Trevor Bolder (bass instrument); Mike Woodsmansey, Mick "Woody" Woodmansey (drums); Ken Fordham (flute, saxophone); Mike Garson (piano); Linda Lewis, Juanita "Honey" Franklin, G A MacCormack (background vocals).
Audio Mixers: Ken Scott; Mick Ronson.
Audio Remasterers: Nigel Reeve; Peter Mew.
Audio Remixer: Dr. Toby Mountain.
Recording information: RCA Studios, London, England (1972); RCA Studios, Nashville, TN (1972); Trident Studios, London, England (1972).
Photographer: Sukita.
Unknown Contributor Role: L.
Arrangers: David Bowie; Mick Ronson.
It's no surprise that ALADDIN SANE and PIN UPS came out in the same year. Each drip with the seedy sexuality of London's late '60s sexual revolution. Yet, while PIN UPS was a mid-'60s sampling of influences--a glorified cover album--ALADDIN SANE was all Bowie.
Stepping out of the Ziggy Stardust shadow (Bowie would announce his temporary retirement from the stage later that year), ALADDIN SANE was the aftermath of Ziggy's visit, a brutal memoir of the drugs, sex and glamour that a young starlet could find at the time. "Forget that I'm 50/'Cause you just got paid," Bowie croons, adopting the persona of a "Cracked Actor," and one wonders how far stardom had pushed Bowie. Was he indeed a lad insane?
The macho guitar rave-ups are a brilliant spewing of the PIN UPS influences. Mick Ronson's searing guitar is beautiful trash, made of Stonesy grind and dangerous Kinks-like riffing. Bowie is at an evocative peak, his vocals at once voyeuristic and enticing. His cover of "Let's Spend The Night Together" sends an unwashed shiver up the back, and his youthful exuberance on "Panic In Detroit" is charmingly believable.
ALADDIN SANE showed that Bowie was an artist with staying power that reached beyond his previous Martian Cult status.
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Reviews
– Customer review on 18/03/2008
This is an absoluterly classic album of Bowies and has to be one of his better ones from this period it is so good I absoluterly love it and it is so seventies a classic of the time and Bowies it has a lot of good tracks on it which makes it a nice album to listen to where as some of his I find have one or two good tracks and the rest I skip some times where as this one I injoy listening to from start to finish.
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