Let's Stick Together [Remaster] http://www.fishpond.co.nz/Music/Lets-Stick-Together-Bryan-Ferry/0724384760229

Artist: Bryan Ferry

• Personnel: Bryan Ferry (vocals, harmonica, keyboards); Chris Spedding, Phil Manzanera, David O'List (guitar); Eddie Jobson (violin, synthesizer); Mel Collins (soprano saxophone); Chris Mercer (tenor saxophone); Martin Drover (trumpet); John Wetton, John Gustafson, Rick Wills, John Porter (bass); Morris Pert (percussion); Jacqui Sullivan, Helen Chappell, Paddie McHugh, Doreen Chanter, Vicky Brown, Martha Walker (background vocals).
  
• Recorded at Air & Island Studios, London, England, from 1973-1976.
  
• All tracks have been digitally remastered using HDCD technology.
  
• Personnel: Bryan Ferry (vocals, harmonica, piano, keyboards); Doreen Chanter, Jacquie Sullivan, Martha Walker, Paddy McHugh (vocals, background vocals); Vicki Brown, Helen Chappelle (vocals); Chris Spedding, John Porter, Neil Hubbard, Phil Manzanera, Davy O'List (guitar); Eddie Jobson (violin, keyboards, synthesizer); John Wetton (violin); Chris Mercer (saxophone, tenor saxophone); Mel Collins (soprano saxophone); Martin Drover (trumpet, horns); Paul Thompson (drums); Morris Pert (percussion).
  
• Audio Remasterer: Bob Ludwig.
  
• Recording information: Air & Island Studios, London, England (1973-1976); Air and Island Studios, London, England (1973-1976).
  
• Photographer: Dick Wallis.
  
• Ferry's third solo album is a bit of a departure from his previous two. Here, along with the requisite eclectic batch of covers, he also includes a few of his characteristically lovelorn originals (including an ode to his obvious role model, "2HB," as in Humphrey Bogart), plus a slicked-up reworking of his Roxy Music classic "Remake Remodel." The album also rocks out far more straightforwardly than THESE FOOLISH THINGS and ANOTHER TIME, ANOTHER PLACE.
  
• Ferry tackles two straight blues songs here--Wilbert Harrison's "Let's Stick Together" and Jimmy Reed's "Shame, Shame, Shame"--and while nobody's ever going to mistake him for either singer, his camp factor here is significantly reduced. Standout track: a surprisingly powerful assault on the Everly Brothers' "Price of Love."