Personnel: Sarah Vaughan (vocals); Frank Wess (alto & tenor saxophones); Marshall Royal (alto saxophone); Frank Foster, Billy Mitchell, Frank Wess (tenor saxophone); Charlie Fowlkes (baritone saxophone); Thad Jones, Wendell Culley, Joe Newman, Snooky Young, Freddie Hubbard, Charlie Shavers, Clark Terry (trumpet); Henry Coker, Al Grey, Benny Powell, J.J. Johnson, Kai Winding (trombone); Benny Golson, Phil Woods (woodwinds); Kirk Stuart, Jimmy Jones, Ronnell Bright, John Malachi, Bob James (piano); Freddie Green (guitar); Charles Williams, Richard Davis, Joe Benjamin (bass); George Hughes, Roy Haynes, Sonny Payne (drums).
Compilation producer: Michael Lang.
Recorded in Copenhagen, Denmark; New York, New York; Chicago, Illinois between 1954 and 1967. Includes liner notes by Robert Baird.
Personnel: Sarah Vaughan (vocals).
Recording information: London House, Chicago, IL (04/02/1954-01/24/1967); Mister Kelly's Chicago (04/02/1954-01/24/1967); New York, NY (04/02/1954-01/24/1967); Tivoli Garden, Copenhagen, Denmark (04/02/1954-01/24/1967).
Modern jazz, with its emphasis on the cool, can often warp a song beyond recognition. As the performer experiments and tinkers with tunes, this sometimes means a substitution of technical brilliance for simplicity. Sarah Vaughan, however, can be wildly innovative and still score a direct hit in the ears and hearts of her audience.
For instance, Vaughan's version of "I Feel Pretty" captures all the charm of the WEST SIDE STORY composition, at the same time imbuing it with a singular energy that enhances the song, altering it just enough to thrill the listener. She often changes aspects of a song, improving the piece's dynamics with her sense of tempo and range, such as on "Prelude to a Kiss." She's the proverbial singer who could make the phone book sound good.
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