Song of Myself: From a Dusty Bokshelf/All That Great Heart Lying Still/Piano Black/Love
13)
Imaginaerum
0)
DISC 2: INSTRUMENTAL:
1)
Taikatalvi
2)
Storytime
3)
Ghost River
4)
Slow, Love, Slow
5)
I Want My Tears Back
6)
Scaretale
7)
Arabesque
8)
Turn Loose the Mermaids
9)
Rest Calm
10)
Crow, the Owl and the Dove, The
11)
Last Ride of the Day
12)
Song of Myself: From a Dusty Bokshelf/All That Great Heart Lying Still/Piano Black/Love
13)
Imaginaerum
Performer Notes
Personnel: Anette Olzon, Marco Hietala (vocals); Emppu Vuorinen (guitar); Troy Donockley (bouzouki, Uilleann pipe, bodhran); Skaila Kanga (harp); Dermot Crehan (violin, hardanger fiddle); Julian Leaper, Chris Tombling, Mark Berrow, Tom Pigott-Smith, David Woodcock, Pekka Kuusisto, Maciej Rakowski, Perry Montague-Mason, Dai Emanuel, Jonathan Rees , Oli Langford, Steve Morris, Patrick Kiernan, Boguslaw Kostecki, Rita Manning, Everton Nelson, Sonia Slany, Emlyn Singleton (violin); Rachel Stephanie Bolt, Bill Hawkes, Garfield Jackson, Peter Lale, Kate Musker, Bruce White (viola); Anthony Pleeth (cello); Eliza Marshall , Anna Noakes, Andy Findon (flute); David Fuest (clarinet, bass clarinet); Nicholas Bucknall (clarinet); David Theodore (oboe); Julie Andrews (bassoon); John Barclay, Kate Moore, Guy Barker, Derek Watkins, Andy Crowley (trumpet); Michael Thompson , Nigel Black, David Pyatt , Richard Watkins (French horn); Richard Edwards, Andy Wood (tenor trombone); Dave Stewart (bass trombone); Owen Slade (tuba); Tuomas Holopainen (piano, keyboards); Jukka Nevalainen (drums, percussion); Stephen Henderson, Frank Ricotti, Gary Kettel, Kai Hahto (percussion); Jussi Tegelman (music box); Joanna Forbes, Tom Bullard, Alice Fearn, Tom Pearce, Morag MacKay, Yona Dunsford, Eleanor Grant, Emma Brain-Gabbott, Abbie Osmon, Gerard O'Beirne, Peter Snipp, Vanessa Heine, Amber Moore, Neil Bellingham, Jacqueline Barron, Ann de Renais, Alexandra Gibson, Jenny O'Grady, Nicki Kennedy, Grace Davidson, Rosemary Forbes-Butler, David Porter Thomas , Ben Fleetwood Smyth, Thomas Spencer-Wortley, Eoghan McCarthy, Lindsay Ashworth, Jacob Ramsey, Ashby Mayes, Anna Gunstone, Celine Marcantonis, David Valsamidis, Elizabeth Wiesberg, Katialin Dang, Mair Dew, Nicholas Sabisky, Nicholas Marcantosis, Rosie Alderton, Soophia Foroughi, Shifra Osorio Whewell, Elias Christou-Hill, Dilys McCaffrey, Athena Koutsovasilis, Anais Engelmann, Paul Greir, Sam Barnett, Vinay Ostrolenk, Catherine Bott, Andrew Busher, Mary Carewe , Michael Dore, Claire Henry, Lawrence Wallington.
Audio Mixer: Mikko Karmila.
Recording information: Angel Studios, London (10/2010-04/2011); Finnvox Studios (10/2010-04/2011); Legendary Bay Of Tube Studios (10/2010-04/2011); Marco's CockPit (10/2010-04/2011); Pajarin Hauta (10/2010-04/2011); Petrax Studios (10/2010-04/2011); R”sk” (10/2010-04/2011).
Director: Pip Williams.
Photographer: Ville Juurikkala.
Arrangers: Holopainen; Hietala.
Never one to do things by halves, Finnish symphonic rock purveyors Nightwish team up with a 53-piece orchestra for their seventh studio album, Imaginaerum, a concept album based on a dying man's recollection of his youth which also doubles as the soundtrack to their forthcoming Stobe Harju-directed film of the same name. Bassist Marco Hietala's claims that it's inspired by the works of Tim Burton, Neil Gaiman, and Salvador Dali suggest a score chock-full of gothic fantasy-style arrangements, but although the Palladio-esque breakdown on the crunching metal of lead single "Storytime," the Omen-esque choral backing vocals, ominous piano chords, and theatrical sea shanties on the schizophrenic "Scaretale," and the stirring war march instrumental "Arabesque" all bear the hallmarks of a big screen mythical epic, the band have thankfully avoided simply following the Danny Elfman rulebook down to a T. Opener "Taikatalvi" is a haunting, Middle Eastern-tinged folk number underpinned by a twinkling, music box backing and a rare Finnish-language melody, the frenetic Riverdance-goes-metal of "I Want My Tears Back," and the medieval campfire balladry of "Turn Loose the Mermaids" showcase their passion for traditional Celtic music, while the biggest twist appears courtesy of "Slow, Love, Slow," an unexpected but convincing foray into 1930s jazz-lounge territory, which proves Anette Olzon is as adept a torch singer as she is rock goddess. The doom-laden bombastics of "Rest Calm" and "Last Ride of the Day" are basically Nightwish on autopilot, while the meandering "Song of Myself" overstays its welcome long before its closing six-minute recital of Tuomas Holopainen's poem of the same name (influenced by the Walt Whitman poem) kicks in. But if its accompanying full-length feature is even half as ambitious as its soundtrack, then fantasy fans are in for quite a spectacle. ~ Jon O'Brien
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