The Blueprint 3 [Parental Advisory]http://www.fishpond.co.nz/Music/Blueprint-3-Like-Steele-Kanye-West-Rihanna-Alicia-Keys-Young-Jeezy-Swizz-Beatz-Drake-J-Cole-Kid-Cudi-Pharrell-Williams-Mr-Hudson/0075678958663
Personnel: K. Briscoe, Luke Steele (vocals); Kevin Randolph, Jeff Bhasker (keyboards).
Audio Mixer: Chris Godbey.
Recording information: Avex Honolulu Studio, HI; Kingdom Studios; Lava Studios, Cleveland, OH; Midnight Blue Studios, Miami, FL; Oven Studios, New York, NY; Roc The Mic, New York, NY; South Beach Studios, Miami, FL; The Holy Chateau, Perth, Australia; Westlake Studio, Los Angeles, CA.
Photographer: Dan Tobin Smith.
On THE BLUEPRINT 3, still unretired Jay-Z announces "the only rapper to rewrite history without a pen." It's a standard Jigga boast, but the Brooklyn icon has earned the bragging by backing it up, particularly on his gold-label, top-shelf BLUEPRINT series. Ever-ready for battle, Jay-Z takes on autotune, crossover radio, and many other hip-hop concerns with the gloriously jagged rap elan for which he's become known.
When Jay-Z first made a series out of his best album, 2001's The Blueprint, it became a game of high expectations. The first volume saw Jay-Z as vital as he'd ever been, storming back to the hardcore after a few years of commercial success. THE BLUEPRINT 2 took a different tack, with guest shots to compliment his sinuous flows. BLUEPRINT 3 is somewhere between the two, closer to the vitality and energy of the original but not without the crossover bids and guest features of the latter. Kanye West is in the producer's chair for seven tracks, and it's clear he was reaching for the same energy level as the original. "What We Talkin' About" begins the album with a wave of surging, oppressive synth, while Jay-Z enumerates (with an intriguing lack of detail) what he's said and what's been said about him, ending with a nod not to the past but the future (and Barack Obama). There's plenty more lyrical violence to come, but most of the targets are much safer than they were eight years earlier (i.e. opening single and smash hit "D.O.A. [Death of Auto Tune]" (railing against the oft-reviled '00s vocal-tweaking phenomenon is not quite as "politically incorrect" as Jay claims through song). Simply put, the production's big-name solid, the rhyming on poing, as Jay-Z becomes more content with his dominance as a rap godfather in 2009.
Professional Reviews
Rolling Stone (p.74) - 3 stars out of 5 -- "Jay-Z remains a virtuoso, and BLUEPRINT 3 has the usual quotient of punch lines and casually inventive flows..."
Entertainment Weekly (p.63) - "BLUEPRINT is hip-hop as big business, and Jay retains his CEO throne." -- Grade: B+
Billboard - "With witty rhymes, pertinent collaborations and stellar productions from the likes of Timbaland and No I.D., among others the long-awaited BLUEPRINT 3 doesn't disappoint."
Clash (magazine) - "Working with the hottest talents in Hip Hop and beyond all held in place by the hub that is Jay-Z's latent vocal talent for wordplay, phrasing and cadence."
Like Steele; Kanye West; Rihanna; Alicia Keys; Young Jeezy; Swizz Beatz; Drake; J. Cole; Kid Cudi; Pharrell Williams; Mr. Hudson
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Reviews
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– Customer review on 04/06/2011
No one can stress enough the fact that Jay-Z is no longer the same man who hit the streets with Reasonable Doubt. If you are looking for that from Jay then you need to ask yourself two questions. 1. Why would you think he hasn't grown up? 2. Why haven't you?
Back in 1995 he was creating his music from his perspective in Marcy Projects, from the perspective of a hustler and man of the streets. He has since had 10 #1 albums and has become CEO of Def Jam, co-owner of the Nets, co-owner of the 40/40 club franchise, and husband to Beyonce Knowles. The man is a media mogul and multi-millionaire. He has friends like Gwyneth Paltrow and Chris Martin. He has aged fourteen years. He has appeared on various Forbes lists. There is no way he can have the same perspective or outlook on life as he did in 1995 and his music reflects that.
If you can appreciate mature hip-hop with quality beats, a sophisticated sound, and inventive lyrics, then you need this album in your life. I sincerely appreciate this album because I love the depth and growth that this man is showing. At the end of the day he is the greatest rapper alive and nothing can take that away from him so it makes sense for him to be a trailblazer and take the game to greater heights. No one but him can do it and he does it well. I applaud him for that.
What Jay-Z is doing right now reminds me of Beyonce's I Am... album, which many people also criticized, and while I am no fan of B I had to admit that she showed tremendous growth and range with the ballad side of the release. Musicians have to take risks in order to advance the art which means so much to them. And, at the end of the day, they are people who have to grow up. Jay-Z is an adult. His rhymes are adult, his collaborations are adult, his beats are adult, his track selection is adult. And I love it
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