Sweet: Brian Connolly (vocals); Andy Scott (guitar); Steve Priest (bass); Mick Tucker (drums).
Includes liner notes by Vicki Arkoff.
Digitally remastered by Kevin Reeves.
Is Sweet nothing more than a time capsule from the bell-bottomed '70s? Surely, the band's fey appearance doesn't do much for ensuring a legacy of pride. All glam pretensions aside, when one lines up all the band's best singles in a row it's an indisputable feast of delirious hooks, pop throwaways, and car-radio screamers. Sweet was something like a hard pop version of the Monkees in that producers-songwriters Nicky Chinn and Mike Chapman dictated the group's output with an eye on the teen market. The early '70s saw a flurry of immediate singles blast out of this "collaboration": "Little Willy," "Wig Wam Bam," and "Blockbuster" all crackle and zap with hard pop confection.
After the band broke away from Chinn and Chapman with DESOLATION BOULEVARD, Sweet took on a decidedly harder edge, shying away from its bubblegum beginnings. As evidenced here, the decision was a smart one as it culminated in the band's signature song "Fox on the Run" which packed an FM-ready wallop. Elsewhere, "Lost Angels," "The 6-Teens," and "Love Is like Oxygen" demonstrate the band knew its own way around a pop hook and could create songs as accessible as their earlier work with considerably more texture to boot.
Professional Reviews
Entertainment Weekly (6/18/93, p.57) - "...Funny how this reissue is more fun than 90 percent of today's prefab pop..." - Rating: A
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Reviews
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I wasn't even born in the 70s ... but I have grown up learning to appreciate the music that came before me and this is a definite CD to own.
I think most people have heard a couple of songs from this band, Ballroom Blitz being one of the more popular ones (and sung on Waynes World by Crucial Taunt at the end of the movie.. killa rendition!). If you want some catchy beats and 100% original rock high pitch notes (kind of what the Darkness is attempting in todays music) grab this album!
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