Based on the remarkable, true story of the beautiful, powerful and notoriously scandalous Duchess of Devonshire.
The Duchess unfolds the tale of a woman who became one of the world’s first celebrities, who was adored by all the people of England, save one: her husband, the Duke. Once she marries him, she will attain the very heights of society. Whatever she wears will become the fashion of the day. Whatever party she throws will be the place of the moment. And whoever desires political office will seek her out for her influential endorsement.
Yet, for all her power and notoriety, for all the affection she receives from the masses, she will have to break all of society’s rules, and sacrifice everything, the set her own passionate heart free.
Special Features:
* How Far She Went... Making the Duchess
* Georgiana In Her Own Words
* Costume Diary
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Reviews
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warning - if you are a mother who loves her children and cannot bear the thought of being away from them - you will find this a heartbreaking story. Very fine acting, I was deeply moved by knightley and her characters lover, who both emitted deep feelings from those who watched. I was left with a very bitter taste in my mouth. Great costumes and acting - but I did not like this at all.
The Duchess is a superior slice of costume drama which manages to craft interesting, multi dimensional characters and an involving storyline from the well worn confines of the genre.
Keira Knightley plays a very similar role to the one she played in Pride and Prejudice, a feisty, modern woman trapped in a male dominated society. However, whereas Lizzie Bennett's heart and character inspires affection, the Duchess of Devonshire's fosters only reproach and punishment from her traditional and patriarchal husband. Her performance is a standout and demonstrates why she is so highly rated in the face of many disappointing roles in other films. She brings both strength and weakness to the character. Able to deliver withering put downs at her husband and others, whilst showing the pain of her loveless marriage etched into her face.
If Knightley is the lynchpin of the piece then it is Ralph Fiennes that elevates it above a crowded genre. Resisting the temptation to play his character as evil, instead he simply plays him as a man of his times. In Fiennes' hands the Duke feels no need to win any bouts of verbal jousting with his wife as he is secure in the knowledge that, as a husband, he is in complete control of the relationship. The Duke also clearly sees very little wrong in his treatment of his wife and acts, as he sees it, in a logic manner making the whole film feel morhjhjs a result, tragic.
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