Have you ever been alone but felt that you were not really alone at all; that someone else was there? You didn't feel scared - you felt comforted and you knew that the energy felt familiar, like that of a passed loved one. But your sceptical mind told you it was just your imagination. Signs from the spirit world come in many different ways; it could be just a small thing, such as sensing a presence or even the lights flicking on and off whenever you think about a passed loved one. Is this just coincidence, or is it more? In this book, spiritual medium Jade-Sky shows you that it is possible to feel, sense or even hear your passed loved ones in spirit. In her work, Jade-Sky is asked hundreds of questions about life after death and here she answers them all, such as what happens to loved ones when they pass, including children, parents, partners, friends and even pets; how to recognise signs from passed loved ones; and all about angels, spirit guides and ghosts. Drawing on her many years of communicating with the spirit world Jade-Sky's sympathetic answers offer comfort and reassurance to anyone who wonders "What Happens Next".
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Reviews
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This book is phenomenal. Not only is it well-written and comprehensive, but it fills a horrendous gap in the legacy of screenwriting and its impact on movies.
Other than Ian Hamilton's terrific work on the early years of screenwriting, this book immediately becomes the cornerstone, the bedrock of the genre -- and for very good reason. It's not just a book about the writers themselves, but how the art and craft of screenwriting have evolved in the context of film. What we get is an alternate point of view that has for too long been neglected in entry-level cinema history.
Starting from Edison, Edwin Porter and D.W. Griffith, we travel the well-trodden (but freshly invigorated) path through the studio system and on into modern movie-making -- with the twist that the writer has not been brushed aside. In fact, we immediately see how crucial key scribes have contributed to the development of the art.
It's a cliche in Hollywood that the writer is abused and overlooked (ask a striking member of the WGA if you don't believe me). But other than a work stoppage, nothing can rectify the place of the writer in the public's awareness more than a historical overview with the screenwriter placed in his or her rightful place -- at the center of the creative process itself.
This is not a scree or a polemic, but a finely written, highly entertaining look at Hollywood. I find myself referring to it all the time. In fact, I've recreated my entire Netflix queue around areas of my movie history that could use some screenings. And I've become a big fan of Anita Loos! (You too will discover that at least 50% of the early screenwriters were women, with Anita being its first breakout star.)
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