Voltaire's Bastards
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John Ralston Saul's philosophical trilogy - Voltaire's Bastards, The Doubter's Companion and The Unconscious Civilization - has had a growing impact on political thought in many countries. A further work, On Equilibrium, is a persuasive and groundbreaking exploration of the human struggle for personal and social balance. Mr. Saul has written five novels, including The Birds of Prey and The Field Trilogy. These works deal with the crisis of modern power and its clash with the individual. Like his non-fiction, his novels have been translated into many languages. He has received many national and international awards for his work. The Unconscious Civilization won the 1996 Governor General's Literary Award for Non-Fiction as well as the Gordon Montador Award for Best Canadian Book on Social Issues. His reinterpretation of the nature of Canada , Reflections of a Siamese Twin, also won a Montador Award and was chosen by Macfean's magazine as one of the ten best non-fiction books of the twentieth century. His novel The Paradise Eater won the Premio Lettarario Internazionate in Italy. Most recently he received the Pablo Neruda Medal in celebration of the hundredth anniversary of Neruda's birth. Mr. Saul was born in Ottawa and studied at McGill University and the University of London, where h

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Known for his novels of international intrigue, Saul in his first work of nonfiction delivers a passionate jeremiad on the follies of our age. Reason, he argues, has run amok; instead of the enlightened utopia envisaged by Voltaire, the modern West is a soulless machine run by technocratic elites that promise efficiency but create disasters. The author targets the insane waste of our ``permanent war economy,'' the perils of nuclear power, the co-optation of democracy by vested interests, the news media's focus on false events and manufactured celebrities, the ``personality politics'' of presidential campaigns. He critiques the Harvard Business School's management teachings, profiles such figures as Thomas Jefferson, Robert McNamara and Charles de Gaulle, flunks our colleges for failure to reward creativity and imagination. He blames novelists from James Joyce onward for ``rendering literature inaccessible'' and divorcing fiction from social concerns. He roams freely through history, politics, theology, art and film, challenging his audience on every page. This wonderfully provocative inquiry, a work of bold sweep and originality, may nonetheless leave some readers wondering whether misplaced faith in reason underlies all the ills discussed. (Sept.)

Saul locates the source of many of the contemporary world's problems in a perversion of reason. He argues that while Voltaire had hoped to use reason as a tool to overthrow outmoded and harsh customs, his successors instead employed reason as an instrument of social control. The will of the people was unimportant to such acolytes of reason as Napoleon, who argued that uninformed popular opinion must be regimented through the supposed dictates of reason. The result of these misguided efforts at rational planning have been the horrors of modern warfare and the depredations of industrialism. Saul attributes such varied phenomena as the arms race, the ``star system,'' and the rise of bureaucracy to hyperrationalism. Saul, a popular novelist ( The Paradise Eater , LJ 11/1/88), has a vivid style that makes his book enjoyable reading, but a clear sense of what he means by reason never emerges. Is it anything more than a catchphrase for whatever the author dislikes?-- David Gordon, Bowling Green State Univ., Ohio

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