Acknowledgments
Introduction: Subversive Literary Cultures by Kenneth Womack
I. Subversive Women
Chapter 1: The Mysterious Identity of Helen Dickens, Victorian
Novelist by Troy J. Bassett
Chapter 2: Moonrise and the Ascent of Eve, the Woman Titan:
Charlotte Brontë’s Epiphanies of the Fourfold Elemental Feminine by
Martin Bidney
Chapter 3: Condoning Adultery: Problems of Marriage and Divorce in
George Eliot’s Life and Writing by
Nancy Henry
II. Subversive Ideologies
Chapter 4: Unraveling Orientalism: Dawe’s “Yellow and White” by
James M. Decker
Chapter 5: “A Familiar Kinde of Chastisement”: Fasting in the
Nineteenth-Century by Joseph Lennon
Chapter 6: The Effect of Emerging New Media on Book Publishing:
Lessons from the Origins of
Cross
Media Storytelling in the Early Twentieth Century for Contemporary
Transmedia Researchers
by Alexis Weedon
Chapter 7: “And this also has been one of the dark places of the
earth”: Reading Levinasian
Ethics and
Literary Impressionism in Conrad’s Heart of Darkness by Kenneth
Womack
III. Subversive Genres
Chapter 8: “Count Me In”: Comedy in Dracula by Ira B. Nadel
Chapter 9: “The Seasoned Spirit of the Cunning Reader”: The Textual
Subversions of The Turn of the Screw by Ruth Robbins
Chapter 10: “Fallen” Clergymen: The Wages of Sin in Hawthorne’s The
Scarlet Letter, Charles Reade’s
The Cloister and the Hearth, and Henry Arthur Jones’s Michael and
His Lost Angel
by Jeanette Shumaker
Chapter 11: Sherlock Holmes: The Criminal in the Detective by
Joseph Wiesenfarth
Index
About the Editors and Contributors
Kenneth Womack is professor of English and dean of the Wayne D.
McMurray School of Humanities and Social Sciences at Monmouth
University.
James M. Decker is Professor of English, Humanities, and Language
Studies at Illinois Central College.
This collection of essays opens with a strong introduction by
Womack on the meanings of subversion... Subversiveness seems to be
a wide net in which critics are sometimes subversive; at other
times authors are subversive or they invoke genres that are already
assumed to be subversive. The collection addresses biographical
enigmas surrounding the public and private identities of individual
writers—for example, Helen Dickens and George Eliot—and offers
interpretations of major works by Charlotte Brontë, Arthur Conan
Doyle, Henry James, and Bram Stoker. Jeanette Shumaker contributes
a cogent essay on the gender connotations of “fallen” ministers
such as The Scarlet Letter’s Arthur Dimmesdale, and Womack extends
critical interest in the literary impressionism of Heart of
Darkness into a thought-provoking examination of ethics via Hans
Jauss’s reception theory. Readers will likely appreciate Alexis
Weedon’s efforts to link the “cross-media business practices” of
early-20th-century publishing to the media convergence model of the
21st century... Summing Up: Recommended...Upper-division
undergraduates through faculty.
*CHOICE*
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