When John Thaw, star of The Sweeney and Inspector Morse, died from cancer in 2002, a nation lost one of its finest actors. Sheila Hancock lost a beloved husband. In this unique double biography she chronicles their lives - personal and professional, together and apart. Thaw was born in Manchester, the son of a lorry driver. When he arrived at RADA on a scholarship he felt an outsider. In fact his timing was perfect: it was the sixties and television was beginning to make its mark. With his roles in Z-Cars and The Sweeney, fame came quickly. But it was John's role as Morse that made him an icon. In 1974 John married Sheila Hancock, with whom he shared a working-class background and a RADA education. Sheila was already the star of the TV series The Rag Trade and went on to become the first woman artistic director at the RSC. Theirs was a sometimes turbulent, always passionate relationship, and Sheila describes their love - weathering overwork and the pressures of celebrity, drink and cancer - with honesty and piercing intelligence.
About the Author
Sheila Hancock was born in 1933 and attended RADA before embarking on a successful career in acting, both on stage and screen. She was awarded the OBE in 1974. Sheila Hancock lives in London.
Prizes
A Bloomsbury super lead non fiction titleLike Pamela Stephenson's Billy, this will be a massive bestseller Nationwide author tour and major publicity. Serialised for Radio 4 Book at Bedtime, read by Sheila Hancock, in November; serial in a major newspaper; TV interviews including Richard and Judy and Parkinson
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Reviews
4.0
out of 5 based on
1
reviews.
– Customer review on 20/04/2006
Hancock’s book is a kind of double biography: the story of her life with John Thaw - to whom she was married for a number of years - and a rather more selective look at her own beginnings and career.
Both actors came from impoverished backgrounds and were fortunate to arrive in the acting world at a time when the influence of the RADA style was waning, and ‘real’ people were beginning to appear on stage and screen.
Thaw was a man who fitted television acting like a glove. Yet the more successful he became, the less he seemed to be able to handle it, struggling with alcoholism in the latter part of his life. Hancock, on the other hand, had been very successful in her own career before she met Thaw, and found herself taking second place as time went on.
The format of the book is unusual: the biographies are separate sometimes and intertwined at others, and there are also ‘entries’ from Hancock’s diary scattered throughout, increasingly so as it comes to the end. Curiously, Thaw’s death in the diary entries occurs about two-thirds of the way through the book, while his biography continues on unabated until the end.
In spite of these oddities, the book is immensely readable.
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