The Collected Works
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|Format:||Hardback, 2016 pages|
|Other Information: ||79 illustrations, 1 map|
|Published In: ||United Kingdom, 22 November 2007|
Thomas Middleton (1580-1627) - 'our other Shakespeare' - is the only other Renaissance playwright who created lasting masterpieces of both comedy and tragedy; he also wrote the greatest box-office hit of early modern London (the unique history play A Game at Chess). His range extends beyond these traditional genres to tragicomedies, masques, pageants, pamphlets, epigrams, and Biblical and political commentaries, written alone or in collaboration with Shakespeare, Webster, Dekker, Ford, Heywood, Rowley, and others. Compared by critics to Aristophanes and Ibsen, Racine and Joe Orton, he has influenced writers as diverse as Aphra Behn and T. S. Eliot. Though repeatedly censored in his own time, he has since come to be particularly admired for his representations of the intertwined pursuits of sex, money, power, and God. The Oxford Middleton, prepared by more than sixty scholars from a dozen countries, follows the precedent of The Oxford Shakespeare in being published in two volumes, an innovative but accessible Collected Works and a comprehensive scholarly Companion. Though closely connected, each volume can be used independently of the other. The Collected Works brings together for the first time in a single volume all the works currently attributed to Middleton. It is the first edition of Middleton's works since 1886. The texts are printed in modern spelling and punctuation, with critical introductions and foot-of-the-page commentaries; they are arranged in chronological order, with a special section of Juvenilia. The volume is introduced by essays on Middleton's life and reputation, on early modern London, and on the varied theatres of the English Renaissance. Extensively illustrated, it incorporates much new information on Middleton's life, canon, texts, and contexts. A self-consciously 'federal edition', The Collected Works applies contemporary theories about the nature of literature and the history of the book to editorial practice.
Table of Contents
Alphabetical Contents ; Index of Titles by Genre ; List of Illustrations ; How to Use This Book ; Thomas Middleton: Lives and Afterlives ; Middleton's London ; Middleton's Theatres ; COLLECTED WORKS 1603-1627 ; The Phoenix ; News from Gravesend: Sent to Nobody ; The Nightingale and the Ant; and, Father Hubburd's Tales ; The Meeting of Gallants at an Ordinary; or, The Walks in Paul's ; Plato's Cap cast at the year 1604 ; The Black Book ; The Patient Man and the Honest Whore ; The Whole Royal and Magnificent Entertainment Given to King James through the City of LondonThe Patient Man and the Honest Whore ; Lost Plays: A Brief Account ; Michaelmas Term ; A Trick to Catch the Old One ; A Mad World, My Masters ; A Yorkshire Tragedy; or, One of the Four Plays in One, called All's One ; The Life of Timon of Athens ; The Puritan Widow; or, The Puritan; or, The Widow of Watling Street ; The Revenger's Tragedy ; Your Five Gallants ; Sir Robert Sherley his Entertainment in Cracovia ; The Two Gates of Salvation; or, The Marriage of the Old and New Testament; or, God's Parliament House ; The Bloody Banquet: A Tragedy ; The Roaring Girl; or, Moll Cutpurse ; No Wit/Help like a Woman's; or, The Almanac ; The Lady's Tragedy ['The Second Maiden's Tragedy']: Parallel Texts ; A Chaste Maid in Cheapside ; The Manner of his Lordship's Entertainment ; The Triumphs of Truth ; Wit at Several Weapons ; Masque of Cupids ; More Dissemblers Besides Women ; The Widow ; The Witch ; The Tragedy of Macbeth ; Civitatis Amor ; A Fair Quarrel ; The Triumphs of Honour and Industry ; The Owl's Almanac ; The Peacemaker; or, Great Britain's Blessing ; An/The Old Law ; Masque of Heroes; or, The Inner Temple Masque ; Hengist, King of Kent; or, The Mayor of Queenborough ; The Triumphs of Love and Antiquity ; The World Tossed at Tennis [A Courtly Masque] ; Honourable Entertainments and An Invention ; Women, Beware Women: A Tragedy ; The Sun in Aries ; Measure for Measure ; Anything for a Quiet Life ; The Changeling ; The Nice Valour; or, The Passionate Madman ; The Triumphs of Honour and Virtue ; The Spanish Gypsy ; The Triumphs of Integrity with The Triumphs of the Golden Fleece ; A Game at Chesse: An Early Form ; A Game at Chess: A Later Form ; Occasional Poems, 1619-25 ; Lost Pageant for Charles I: A Brief Account ; The Triumphs of Health and Prosperity ; Lost Political Prose, 1620-7: A Brief Account ; JUVENILIA 1597-1602 ; The Wisdom of Solomon Paraphrased ; Microcynicon: Six Snarling Satires ; The Ghost of Lucrece ; The Penniless Parliament of Threadbare Poets
About the Author
Gary Taylor, George Matthew Edgar Professor of English and Director of the program in the History of Text Technologies at Florida State University, was joint General Editor of Shakespeare's Complete Works (Oxford, 1986; revised 2005). He has written or co-written more than a dozen books, including Reinventing Shakespeare, Cultural Selection, Castration, and Buying Whiteness . In 2006 he gave the McKenzie lectures in the history of the book at Oxford University.
John Lavagnino studied physics at Harvard University and American literature at Brandeis University, where he wrote his dissertation on Vladimir Nabokov. He has worked in atmospheric science at the Smithsonian Astrophysical Observatory and in electronic publishing for numerous organizations. He is now Senior Lecturer in Humanities Computing at King's College London, and is working on the digital Catalogue of English Literary Manuscripts 1450-1700.
Associate General Editors
MacDonald P. Jackson
The Oxford Middleton is a monumental achievement. Gary Taylor and his team of scholars have managed to do for Thomas Middleton what Heminges and Condell did for Shakespeare in the 1623 First Folio: they've collected a great playwright's work in a landmark edition, one that enables us to appreciate afresh an extraordinary literary career. Taken together, The Collected Works of Thomas Middleton and its companion volume Thomas Middleton and Early Modern Textual Culture, provide an essential guide to matters at the heart of the English literary world in the early seventeenth century, from authorship and collaboration to censorship, civic pageantry, and the London book trade. James Shapiro, author of 1599: A Year in the Life of William Shakespeare and Professor of English, Columbia University a monumental work of scholarship Jonathan Bate, Times Literary Supplement It is not, I think, overstating the case to say that the release of this edition feels epochal, and the sense of recognition at what it has added, as well as what it will inspire over the ensuing decades, is already palpable. The Oxford Middleton is a truly momentous work, and it is now in the hands of you, the Great Variety of Readers. Will Sharpe, The Shakespeare Bookshop Newsletter All of us who care deeply about the history of English drama welcome with great enthusiasm and excitement the publication of the Collected Works of Thomas Middleton, a major achievement in textual scholarship that represents the collective expertise and critical wisdom of scholars from all over the world. Gary Taylor and his many collaborators have given us a new and remarkably versatile Thomas Middleton-a great tragic playwright, a brilliant creator of sly and cynical urban comedies, a thoroughly gifted man of the theater and citizen of London. With this massive collected edition, the history of English drama is much more complete and we can hope for many more professional productions of these neglected plays. Gail Paster, Director, Folger Shakespeare Library It is hard to exaggerate the scale of the Oxford Middleton particularly since this is the kind of scholarship which is--in its diversity and eclecticism--designed to open up debate rather than close it off. It is a colossal achievement representing a decisive expansion of Renaissance studies which will percolate throughout scholarship and teaching. But what is, perhaps, most exciting, is that the collection must surely generate a rediscovery of these eminently stageable plays in the theatre. Andrew James Hartley, Editor, Shakespeare Bulletin The publication of The Complete Works of Middleton will be a major event for all those who care about the theatre of Shakespeare's time. The scholarship is meticulous, the commentary is fascinating and the international team of experts displays the field of Renaissance Drama studies at its finest. In modern times, productions of The Changeling and Women Beware Women have shown the dark side of sex and power that Shakespeare touched on but never fully explored. The Complete Works now shows us the full range of Middleton's talent for comedy and social drama and, controversially, the full extent of his collaboration with and development of Shakespeare's plays. Kathleen E. McLuskie, The Shakespeare Institute Few editorial projects have been as eagerly anticipated as the Oxford Middleton, which will utterly transform how we understand early modern drama, both in the classroom and in our research. As with Shakespeare, Gary Taylor and his team have set a new gold standard for textual editing and interpretive criticism, leaping from the 19th century to the 21st - finally an edition that captures Middleton's tremendous accomplishments. Henry Turner, Rutgers University, New Jersey, author of The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts, 1580-1630 (Oxford, 2006) Thomas Middleton: The Collected Works [is] the first time all his play, poems and manuscripts have appeared in a single volume. The timing of this 2,016-page monument couldn't be better. Academic interest in Middleton has burgeoned since the 1900s as scholars have discovered that the more time passes, the more relevant his work becomes. Jumana Farouky, TIME
|Publisher: ||Oxford University Press|
|Dimensions: ||24.89 x 20.32 x 6.6 centimeters (3.00 kg)|