Fading southern belle Blanche Dubois depends on the kindness of strangers and is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness.

About the Author

Tennessee Williams was born in 1911 in Columbus, Mississippi, where his grandfather was the episcopal clergyman. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He entered the University of Iowa in 1938 and completed his course, at the same time holding a large number of part-time jobs of great diversity. He received a Rockefeller Fellowship in 1940 for his play Battle of Angels, and he won the Pulitzer Prize in 1948 and 1955. Among his many other plays Penguin have published The Glass Menagerie (1944), Summer and Smoke (1948), The Rose Tattoo (1951), Camino Real (1953), Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), Sweet Bird of Youth (1959), Period of Adjustment (1960), The Night of the Iguana (1961), The Milk Train Doesn't Stop Here Anymore (1963; revised 1964) and Small Craft Warnings (1972).

Reviews

Williams's classic play begins with Blanche DuBois's arrival in New Orleans to stay with her sister and brother-in-law, Stella and Stanley Kowalski. The determinedly genteel Blanche is shocked by their lower-class lifestyle--and by Stanley's frequently aggressive behavior. As Blanche's secrets catch up with her, a seedy reality trumps her love for romance. Rosemary Harris embodies Blanche with all the flare, attitude and Southern drawl commonly associated with the cultural icon. The role of Stanley is so physical that his presence is diminished by the lack of a visual performance, but James Farentino's Stanley is excellent. The overall production quality is excellent with musical segues and sound effects that enhance without distracting the listeners. This recording captures the cast of the 1973 Broadway revival (which won Harris a Drama Desk award and Farentino a Theatre World award). (Feb.) Copyright 2009 Reed Business Information.

Available for the first time on CD, this is a full-cast recording of Williams's famous play as performed at New York's Lincoln Center in 1973. The sound effects and music can overwhelm the production, which suffers somewhat from the lack of visuals (there is no sense of time passing, so listeners unfamiliar with the play might mistake all the action to take place over a brief period). Rosemary Harris's reading of Southern belle Blanche DuBois is excellent; her performance lends an airy, unreal quality to Blanche's follies. James Farentino plays mocking, brutal Stanley Kowalski aptly, and Patricia Connolly, too, plays Stella with suitable passivity. Better seen than heard, this is still an important recording to own. [Audio clip available through www.harperaudio.com.-Ed.]-B. Allison Gray, Santa Barbara P.L., Goleta Branch, CA Copyright 2009 Reed Business Information.

Lyrical and poetic and human and heartbreaking and memorable and funny.--Francis Ford Coppola