Table of Contents

CONTENTS: Crime and the Canadian Border in Classical-Era B-Films (Phillipa Gates) * Show Your Face: Racialization of War Crimes in the NFB's The Mask of Nippon (1942) (Chikako Nagayama) * A History of Violence: A Meditation on Colonial Violence (Richard Jochelson) * Comedy and Outsider Justice in the Newfoundland Crime Film (John Hoben) * The Mean Streets of Winnipeg (Sonia Bookman & James Gacek) * Contested Communities: Nathaniel Geary's On the Corner and the Social Construction of Deviant Places (Alicia Horton) * Bon Cop, Bad Cop: Fighting Crime Across the Two Solitudes (Andrea Braithwaite) * Shooting Gangsters in the Great White North (Anita Lam) * The Mounties Meet the Conspiracy Thriller (Greg Marquis) * Cronaca Noir: The Circulation and Production of Italian Crime Films in Canada (Nick Shaw) * Evil Has a Beautiful Face: Exploitation With and Beyond the Narrative of Joel Bender's Karla (Daniel Sacco & Vincent F. Sacco) * Le Piege d'Issoudun: Motherhood in Crisis (Pauline Greenhill) * Prisonization and Carceral Regimes in the Films of Clement Virgo (Andrea Medovarski) * Roxie Hart Wasn't Welcome in Winnipeg: Film Censorship, Crime and Nationalism in early 20th Century Manitoba (George Buri) * Cinematic Representations of the Death of Tom Thomson and the Manufacture of Signal Crimes (Adie Nelson & Joshua Nelson) * A Man in Uniform and the Canadianization of the Fog of the Street (Michael Arntfield) * Reconciliation and Justice in Zacharias Kunuk's Atanarjuat: The Fast Runner (Anne Brydon)

About the Author

Steven Kohm is associate professor and department chair in the Department of Criminal Justice at the University of Winnipeg.