KENT HARUF is the author of five previous novels (and, with the photographer Peter Brown, West of Last Chance). His honors include a Whiting Foundation Writers’ Award, the Mountains & Plains Booksellers Award, the Wallace Stegner Award, and a special citation from the PEN/Hemingway Foundation; he was also a finalist for the National Book Award, the Los Angeles Times Book Prize, and the New Yorker Book Award. He died in November 2014, at the age of seventy-one.
“More Winesburg that Mayberry, Holt and its residents are shaped by
physical solitude and emotional reticence. . . . Haruf's fiction
ratifies ordinary, nonflashy decency, but he also knows that even
the most placid lives are more complicated than they appear from
the outside. . . . The novel is a plainspoken, vernacular
farewell.” —Catherine Holmes, The Charleston Post and Courier
“A marvelous addition to his oeuvre. . . . spare but eloquent,
bittersweet yet hopeful.” —Kurt Rabin, The Fredericksburg
Freelance-Star
“Lateness—and second chances—have always been a theme for
Haruf. But here, in a book about love and the aftermath of
grief, in his final hours, he has produced his most intense
expression of that yet. . . . Packed into less than 200 pages
are all the issues late life provokes.” —John Freeman, The Boston
Globe
“A fitting close to a storied career, a beautiful rumination on
aging, accommodation, and our need to connect. . . . As a
meditation on life and forthcoming death, Haruf couldn’t have done
any better. He has given us a powerful, pared-down story of two
characters who refuse to go gentle into that good night.” —Lynn
Rosen, The Philadelphia Enquirer
“A delicate, sneakily devastating evocation of place and character.
. . . Haruf’s story accumulates resonance through carefully chosen
details; the novel is quiet but never complacent.” —The New
Yorker
“Elegiac, mournful and compassionate. . .a triumphant end to an
inspiring literary career [and] a reminder of a loss on the
American cultural landscape, as well as a parting gift from a
master storyteller.” —William J. Cobb, The Dallas Morning News
“A fine and poignant novel that demonstrates that our desire to
love and to be loved does not dissolve with age. . . . The story
speeds along, almost as if it's a page-turning mystery.” —Joseph
Peschel, The St. Louis Post-Dispatch
“By turns amusing and sad, skipping-down-the-sidewalk light and
pensive. . . . I recommend reading it straight through, then
sitting in quiet reflection of beautiful literary art.” —Fred
Ohles, The Lincoln Journal Star
“Haruf is never sentimental, and the ending—multiple twists packed
into the last twenty pages—is gritty, painful and utterly human. .
. . His novels are imbued with an affection and understanding
that transform the most mundane details into poetry. Like the
friendly light shining from Addie's window, Haruf’s final novel is
a beacon of hope; he is sorely missed.” —Francesca Wade, Financial
Times
“Haruf was knows as a great writer and teacher whose work will
endure. . . . The cadence of this book is soft and gentle, filled
with shy emotion, as tentative as a young person's first
kiss—timeless in its beauty. . . . Addie and Louis find a type of
love that, as our society ages, ever more people in the baby boom
generation may find is the only kind of love that matters.” —Jim
Ewing, The Jackson Clarion-Ledger
“There is so much wisdom in this beautifully pared-back and gentle
book. . . a small, quiet gem, written in English so plain that it
sparkles.” —Anne Susskind, The Sydney Morning Herald
“His great subject was the struggle of decency against
small-mindedness, and his rare gift was to make sheer decency a
moving subject. . . . [This] novel runs on the dogged insistence
that simple elements carry depths, and readers will find much to be
grateful for.” —Joan Silber, The New York Times Book Review
“In a fitting and gorgeous end to a body of work that prizes
resilience above all else, Haruf has bequeathed readers a map
charting a future that is neither easy nor painless, but it’s also
not something we have to bear alone.” —Esquire
“Utterly charming [and] distilled to elemental purity. . . . such a
tender, carefully polished work that it seems like a blessing we
had no right to expect.” —Ron Charles, The Washington Post
“Haruf spent a life making art from our blind collisions, and Our
Souls at Night is a fitting finish.” —John Reimringer, The
Minneapolis Star Tribune
“Haruf once again banishes doubts. Our souls can surprise
us. Beneath the surface of reticent lives—and of Haruf’s calm
prose—they prove unexpectedly brave.” —Ann Hulbert, The
Atlantic
“Blunt, textured, and dryly humorous. . . this quietly elegiac
novel caps a fine, late-blooming and tenacious writing career. . .
. Haruf’s gift is to make hay of the unexpected, and it feels like
a mercy. . . . This is a novel for just after sunset on a summer’s
eve, when the sky is still light and there is much to see, if you
are looking.” —Wingate Packard, The Seattle Times
“A parting gift [and] a reminder of how profoundly we will miss
Holt and its people, and Kent Haruf's extraordinary writing.”
—Sandra Dallas, The Denver Post
“Short, spare and moving...Our Souls at Night is already creating a
stir.” —Jennifer Maloney, The Wall Street Journal
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