In this National Book Award finalist, acclaimed journalist and fiction writer Gilbert focuses on the fascinating true story of Eustace Conway, who left his comfortable suburban home at the age of 17 to move into the Appalachian Mountains, where for the last 20 years he has lived off the land.

Reviews

"By the time Eustace Conway was seven years old he could throw a knife accurately enough to nail a chipmunk to a tree." Such behavior might qualify Eustace as a potential Columbine-style triggerman, but in Gilbert's startling and fascinating account of his life, he becomes a great American countercultural hero. At 17, Conway "headed into the mountains... and dressed in the skins of animals he had hunted and eaten." By his late 30s, Eustace owned "a thousand acres of pristine wilderness" and lived in a teepee in the woods full-time. He is, as Gilbert (Stern Men) implies with her literary and historical references, a cross between Davy Crockett and Henry David Thoreau. Gilbert, who is friends with Conway and interviewed his family, evidences enormous enthusiasm for her subject, whether discussing Conway's need for alcohol to calm down; his relationship with a physically and emotionally abusive father; or his horrific hand-to-antler fight with a deer buck he was trying to kill yet she always keeps her reporter's distance. At times, Conway's story can be wonderfully moving (as when he buries kindergartners in a shallow trench with their faces turned skyward to help them understand that the forest floor is "alive") or disconcerting (as when, in 1995, he's uncertain about Bill Clinton's identity). Gilbert has a jaunty, breathless style, and she paints a complicated portrait of American maleness that is as original as it is surprising. Agent, Sarah Chalfant. (On sale May 20) Copyright 2002 Cahners Business Information.

"The finest examination of American masculinity and wilderness since Jon Krakauer's Into the Wild." --Outside

"Wickedly well-written...Without compromising her obvious admiration, Ms. Gilbert presents a warts-and-all portrait of Mr. Conway and a sophisticated understanding of why those warts are only natural.... A vigorous, engaging book." --The New York Times Book Review

"Gilbert artfully taps into this unique life to create a fascinating, deeply thought-out and anthralling narrative." --Los Angeles Times

"A vivid, nuanced portrait of an endlessly complicated man." --San Francisco Chronicle

"The Last American Man relates the riveting story of Conway's odyssey from a child of affluent parents, to mountain man, to the owner of 1,000 acres of woods and fields in western North Carolina. Gilbert sees in Conway's life a parable for our time, a way of capturing how our culture is sapping us of all that is vital." --Chicago Tribune

"There are so many reasons to read this book. Read it for the portrait of a man who isn't divorced from the land below and the sky above. Read it to watch his youthful ambitions fade into tired gasps. Read it to see how Gilbert gets at her subject without ever stabbing him in the back." --Entertainment Weekly

"Conway is a character almost too goofd to believe...In Gilbert, he may have found the perfect writer to tell his story...from Conway's life, Gilbert takes off on delightful tangents about the nature of manhood, the appeal of utopian communities, the history of the frontier and the lingering myth of the frontiersman. The subject becomes much broader than one man's life. It's about what has been lost with progress, and what can be reclaimed." --The Atlanta Journal-Constitution

"An important book, and well-wrought to boot...Gilbert just plain catches him: It is hard to imagine a deeper, more insightful portrait...her book is wise and knowi